It's more of academic interest than anything else. While I can measure improvements with patch counts over 2k I can't really see any difference in the prints. I can't visually tell any difference in reference prints. Even with the standard 957 count target it's difficult to see any difference. Possible, but just barely.
Being a nitpicker, I just don't like these little discrepancies.
I found that in smaller prints it was difficult to see differences in identical 17” prints printed with 1728 vs. 4357 or 6,000, but much easier to tell the diferences in 44” prints. The larger the print the more apparent the differences by eye. Subtle differences, but there, nevertheless. At that point it seems to become somehow that the realm of “wine connoisseur” descriptors must enter in to be able to discuss those differences, however. Words like smoother, buttery smooth, snappier, more open, richer, more full, etc., become part of the vocabulary, as there is little or no other method of describing differences which are there, but not always immediately apparent, especially without having the prints side by side to compare. I reasoned that if the print at 44” looked really great, (actually spectacular), AND, a 6000 patch profile target was used to print it, why then would there NOT be a difference, meaning “if it looks, smells, walks, talks and tastes like a duck,” as the old saying goes, “then maybe it is a duck.”
Once one becomes attuned to looking for differences, and begins to become aware of what to look for in the subtle nuances of print variations done under controlled printing methods (printing the very same file but with 2 different profiles, easily accomplished with the Z (under job queue > change loaded paper, reprint), then I believe we are looking at an improvement. Talk to audiophilles, and you will hear the same kind of rhetoric - the waxing lyrical, attempting to discuss sound quality nuances of more expensive equipment.
Thus we have entered into the realm of the law of diminishing returns. It may be easy to achieve 85% of any given endeavor on a scale of “perfection”, yet with every percent greater acheivement, the proportionally greater requirements of resource required to attain improvements, until finally, the law of diminishing returns has its way until eventually a paradigm shift renders the point moot. I know this to be true in metal machining and in robotics. Getting 85% to the goal is likely doable, but beyond that, it becomes like pulling teeth to make significant advances.
Perception of quality is of a subjective nature and becomes about taste and ushers in the potential for snobbery. But, apparently, it is the way the world works. Connoisseurship is very real, and among so called connoisseurs, these subtle nuances define the variations in “quality”. I agree, to some extent, being one who chases the rabbit down the rabbit hole and through the warrens, in many differentt areas.
Yet this I have come to understand: Perfection is the enemy of excellence. Obsession the teaser of sanity. To each his/her own. Do what floats your boat, follow your bliss. Or be practical, or frugal, or sane, whatever is the opposite. Make prints your own ways, according to your own choices. It’s not that making a 6000 patch target ICC profile doesn’t come at considerable cost....
And... understanding and communicating those differences as well....
Best,
Mark