Rob, if you're referring here to the high quality of the Zeiss lenses for Rolleiflex and Hasselblad then of course, they sold cameras.
The case of the 50mm Zeiss Sonnar ZM is different in that it is any thing but a flawless lens, it's very different from my Leica lenses being the softest lens I own. Perversely though it still helps to sell Leica cameras because folk buy it for its flawed qualities.
Probably my favourite lens.
No, nothing to do with lenses, Keith.
It was a reference to the days (years) of LPs and the glamour of that big, square piece of artwork that was the jacket.
I think it was quite an influence on choice of camera format - you know, living in hope and running on empty? Them wuz the days.
I have just watched
Cinema Paradiso, and it broke my heart; not a dry eye in the house. Who needs porn and 007 and Wonderwoman et al? All you need is a good story and some honest little emotions. Whatever happened to people?
;-)