I have a pair of high-end progressive glasses from Seiko. I'm happy with them specially at work when having to look at presentations in office rooms at the same time as I type on my laptop. They are also very handy when using the mobile at the same time as looking farer places. They require to adapt, specially you need to move more your head than you used to.
They include a computer filter which hypothetically eliminates harming frequencies from computer monitors. The point is they create a visible warm cast on the screen which would ruin any accurate colour calibration. Luckily I don't really much care on my monitor calibration, but if I would, theses lenses wouldn't simply be usable on it.
I have done a simple check on how much colour cast these lenses produce. I shot twice a white screen, shooting with and without my glasses in front of the lens. Taking as a reference the WB needed to make the RAW data perfectly linear in the first shot (w/o the glasses), I have applied that white balance to both shots, linearly converted to sRGB, and then compared the relative exposure on the sRGB channels:
The differences are so subtle that are better viewed when zoomed (in the previous scale the right half of the plot corresponds to a single 1 stop):
Even if in the RAW space all three channels have reductions as expected, after the sRGB conversion R values remain nearly
unaltered, while G are reduced by
-0,018 EV and B are reduced by
-0.115 EV.
So that -0.115 EV in the blues is the warming effect of my glasses put in numbers.
These are the 100x100 pixel central patches analysed. The width of the above histograms was pure Photon noise, being the R channel the noisiest (lowest RAW values and hence worst SNR and widest gaussian histogram).
Regards