I remember being told by an art conservator that one should roll painted canvases with the painted surface on the outside to prevent the varnish from cracking due to compression. Has anyone found any adverse effects when rolling up prints for packaging one way or another ?
Oddly enough this is a topic my framer and I discussed recently. I do quite a lot of canvas printing for my customers, but I leave it to a local framer to stretch them. She does a great job and I send my customers directly to her, not markup that way. I've been doing this for at least 6 years, with only perhaps a half dozen situations in which a slight bit of cracking showed at the wrap-around edge. She is quite adept at fixing such things, so it never actually became an issue. This past winter was very dry and some cracking did occur, but was fixed as usual. I suggested that she should unroll the canvas as soon as she receives it to let it relax and perhaps overcome this issue, albeit a small issue indeed. As we talked about this a thought came to mind and I mentioned it to her. We both agreed that I should start rolling the canvases with the image side out, instead of inward as I had been doing. I hadn't actually put a name on it, such as "compression", but it does seem to fit the situation as I imagined it. It just seemed to me that as the canvas is stretched and wrapped, all of that is done in the same way that the fabric had been presented, so perhaps less stress on the inks and varnish. As I have mentioned, there were very few instances of cracking, and is so it was very easy to fix. However, since I have started rolling the printed side out there have been no issues. Perhaps simply anecdotal, but I believe this procedure does have some validity, in a rational thinking sort of way. I use Breathing Color Chromata White canvas and Eco Print Shield. I've been using that combination quite successfully for at least 7+ years, so need to change. I hope this might help in some way.
Gary