Hi Bart,
I guess that I got involved in this because there were a lot of statements about MFD that made little sense. The most obvious one was the promise of great DR in combination with very limited high ISO capability.
So that started me digging into these issues. In the end I even got myself a used P45+, in part of wanting to find out and in part because I happened to have some nice Hasselblad lenses and wanted to utilise a significant part of the image circle.
I have been told that I needed to use Capture One to make use the P45+, and it sort of upset me. I buy a back not a workflow, it is my images after all. Also, at that time Capture One had very limited tone mapping capability, needed to tame high DR. A lot of funny things like "film curve", exposure bias. Also, each time I put a memory card into my computer it popped up. I really hated it. Now I feel it is a very good raw converter, which I still don't like…
Now, getting back to that stuff, I really found that theory was true. The P45+ performed exactly as I would have expected. More pixels than my Sony A900, a lot more Moiré. A bit noisy shadows, but mostly no issue for me. What I found out that I liked to shoot with the Hasselblad V/P45+ combo. For two years it was my most used camera, but just one image I took with it made it to the wall and none to the exhibition floor.
Now, I am shooting an A7rII. It gives me a lot of flexibility, the same amount of pixels as the P45+ and gives me Tilt&Shift capability with all my Hasselblad lenses. Yes, the Flexbody also gave me T&S, but I did not feel it was usable in the field.
A couple of well known British photographers, Tim Parkin (who publishes OnLandscape) and Joe Cornish have suggested that the P45+ had really bad reproduction of greens and I did some digging into that. I wanted to find out how much of that is depending on profiles and how much on sensor. My findings were not very clear. Tim Parkin suggested that I write an article on the issue, but the effort sort of ran out, as I could not make any conclusion. A draft of that article is here:
http://echophoto.dnsalias.net/ekr/Articles/OLS_OnColor/OnColor.pdfIn recent time, Anders Torger developed a tool called DCamProf and really found that colour profiles were far more important than sensor characteristics. Anders has also demonstrated that Phase One's file format was actually 14 bit, 16-bitness was created by a Logical Shift Left Twice operation. A perfectly good engineering choice but a very misleading marketing lie.
Best regards
Erik
Hi Mat,
As long as you do not attribute the differences to CMOS versus CCD, no problem. These are different technologies that allow different possibilities, but color reproduction has little to do with it.
Color reproduction is mostly a function of other components in the image chain, like CFA and profiling.
So basing one's choice of tools on the color reproduction differences by CCD or CMOS is totally misguided (just like the so-called 16-stops dynamic range of CCDs in MFDBs, in general CMOS has higher DR capability than CMOS, not the other way around). Start with good profiling, since the hardware is more or less a given. Most likely there will be almost no observable difference, so you can base the choice of equipment on other requirements that allow to get the shot or not.
Cheers,
Bart