Here are some second impressions after putting the Canon IPF 9100 into production for a week:
Things are progressing quite well with the machine. The RGB profiles we've generated with Monaco Profiler are working well in actual use, and we've finally gotten a useful CMYK+RGB profile working with the Wasatch Rip. It was a real battle to create the CMYK+RGB profile primarily due to the ink limiting functions in Wasatch and also in Monaco. Very hard to get good patches printed, but we finally did it. Had to lower the Ink limit to 150% when generating the profile (for Ilford Portable Display Film), which is lower than the RGB profile. The results were quite good, but took way longer than expected.
That said, all the output this week was done using the Canon Photoshop Plugin, the system drivers, or Q-Image. One limitation of the Photoshop plug in is that it doesn't print crop marks, which would be helpful for some of our work. QImage, of course is a workaround for this.
One of the drawbacks of using the plug in or drivers for output, especially with a mix of various media, is the necessity to constantly be aware of the various options in the multiple dialog boxes. It's easy to get distracted and miss a setting. That is a big plus for the RIP, as you can easily lock down all the settings for a given media type.
We ran several media types this week on commercial jobs, including Polypropolene film , Polyester Film, and Crane MuseoMax Fine Art paper. Results were really good on all media, with no problems with head strikes or other material handling issues. The media loading was far easier than our HP's, and roll take up was perfect. We of course were surprised that no 3" adapters for the feed roller were provided, but a bit of cutting on some old 3" adapters from an HP worked just fine.
All in all, this has been one of the easiest printers (I've owned about 15) to set up and operate. Let's hope the honeymoon continues.