Having used a Canon 5d professionally for 2 years (events, reporting, portraits, landscapes), I'm quite surprised to find none of the new cameras (nikon d3/d700, sony a900, canon 1dsIII) cater to my needs. I've all but given up hope on the 5d replacemnt. What's wrong with me?
What I _would_ spend a serious amount of $$$ on:
- bigger viewfinder, focussing screen with even sharper "pop" for manual focussing. Think your old Nikon F3, heck, even Nikkormat... I use manual focus on my 5d most of the time and love it: taking the time to actually LOOK at the image taking shape in the VF before pulling the trigger, slowly fingering the lens's focusing ring gives me better results than blasting away and hoping / praying / cursing some AF computer, beyond my control, does what it should do.
- 3 separate wheels for aperture, shutter speed and iso. (and these values displayed in VF) The three image parameters you use most, either in M or A mode (white balance being #4, though I admit to trusting Auto WB too often - wish it was more dependable).
Burying iso somewhere in a finnicky button/wheel combination is SO film-age! What are they thinking?
Also important:
-built-in infrared receiver for remote control,
-built-in flash commander,
-one-button mirror up / down,
-port for your everyday 320 GB usb sticks to pump around files while away from computer for longer periods of time)
Nice-to-have but certainly no dealbreaker if only one of the 4 below is the same as the current 5d:
- larger dynamic range
- more MPx (apparently this is what the manufacturers want me to want most of all...)
- higher ISo
- lighter, less obtrusive body
(okay here's what I REALLLY want: all of the above in my old metal Konica Hexar MF... one can always dream, no?)
While we're at it:
A decent lens line-up.
I don't think exotic super-fast glass equals "pro" glass. Nor do I think AF necessarily equals "pro."
I'd happily spend an "L" amount of $$$ on a
-sturdy, (my plastic canon 50/1.4 has given up after 2 years)
-manual focus, (firm and buttery smooth)
-totally sharp, (sharp enough for a 25 megapixel cam)
-totally flat focal plane,
-small,
-totally distortion-and aberration-free
-sharp wide open near AND far (though I'm afraid this is physically impossible)
50/2.0, 85/2.0 and, say, 24 or 28/2.8.
Handling: think your old Nikon Ai-s lenses... they handled lovely, were fast enough, were small... With modern engineering surely they could make the same specs work on a digital sensor?
okay this was my, ehmm, rant. thanks for reading. Feel much better already!
and curious to know if there are more people out there who feel the same...