On that topic, which is better to use, in general?
[a href=\"index.php?act=findpost&pid=72894\"][{POST_SNAPBACK}][/a]
If you are shooting in RAW, this setting has no effect on the file. It does influence the playback on the in-camera LCD because that is based on a embedded JPEG. I set this to SRGB because that clips the histogram sooner and I play it pretty close with shooting to the right. This becomes more of a safety factor when appraising exposure using the histogram.
For JPEGS - in their most common application - viewing on monitors and making prints at commercial processors - SRGB is a direct route if you don't intend to fuss with the picture in the computer.
I am really out of my league talking about JPEGS - I simply never use them as a source file.
I shoot RAW, set the camera to SRGB for the histogram preview safety factor, expose to the right whenever it makes sense, process the RAW to ProPhoto color space, turn on the out-of-gamut indicator the entire time I am editing so I manage the range of tones, and print with a custom profile.
When I make JPEGs I "convert" to 8-bit SRGB using Relative Colormetric (with BP compensation) and things work out pretty well.
So - to make a long story short - I would use SRGB in camera unless you are a wedding shooter and intend to do extensive work on JPEG-derived source files and need the color space lattitude.