Luminous Landscape Forum

Equipment & Techniques => Landscape & Nature Photography => Topic started by: petermfiore on March 10, 2014, 09:19:47 am

Title: Treed Hill
Post by: petermfiore on March 10, 2014, 09:19:47 am
Treed Hill.....

Peter
Title: Re: Treed Hill
Post by: mal mcilwraith on March 10, 2014, 02:10:25 pm
I keep wanting to see a white faced owl emerging from your land forms - for me that ambiguity makes the image sparkle.

Mal
Title: Re: Treed Hill
Post by: Walt Roycraft on March 10, 2014, 08:37:09 pm
Why so much foreground?
Love the sky in its softness
Title: Re: Treed Hill
Post by: Christoph C. Feldhaim on March 16, 2014, 09:51:04 am
I think the foreground is more important than one might think on the first look.
You see the rest of the crop forming three important lines in the foreground,
creating a sense of space together with the toning.
I think a little reprocessing and raising the brightness and contrast of the snow
might make it easier for the viewer to understand the image, if desired.

Cheers
~Chris
Title: Re: Treed Hill
Post by: petermfiore on March 16, 2014, 12:26:32 pm
I think the foreground is more important than one might think on the first look.
You see the rest of the crop forming three important lines in the foreground,
creating a sense of space together with the toning.
I think a little reprocessing and raising the brightness and contrast of the snow
might make it easier for the viewer to understand the image, if desired.

Cheers
~Chris

Hi Chris,
This is a reference shot for a painting that I will be including in my show this fall.
You'r right on target with your comments.....The very concept for the painting.
I will be making various marks through out the foreground to help the viewer navigate the space to the near distant hill.
How and where  I place those marks will give me total control of the viewers journey.

Thanks,
Peter
Title: Re: Treed Hill
Post by: mal mcilwraith on March 16, 2014, 04:05:18 pm
Hi Chris,
This is a reference shot for a painting that I will be including in my show this fall.
You'r right on target with your comments.....The very concept for the painting.
I will be making various marks through out the foreground to help the viewer navigate the space to the near distant hill.
How and where  I place those marks will give me total control of the viewers journey.

Thanks,
Peter

I for one, hope you will post a photograph of your painting so we can see what you have in your mind.


Mal