Luminous Landscape Forum
Raw & Post Processing, Printing => Capture One Q&A => Topic started by: StuartOnline on December 04, 2010, 08:07:09 am
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Yesterday I watch a live event on creativelive.com featuring Jeremy Coward. Most of his post processing was done using Capture One. Post processing seem to be very fast. My question, is there any real advantage of using Capture One over Lightoom?
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Yesterday I watch a live event on creativelive.com featuring Jeremy Coward. Most of his post processing was done using Capture One. Post processing seem to be very fast. My question, is there any real advantage of using Capture One over Lightoom?
Do your own test! Both have free trials.
Take some of your most "problematic" files (high iso, mixed lighting, lenses with lots of chromatic aberration, portraits of people with problematic skin tone) and run them through both pieces of software spending enough time to get over the initial "learning hump". This is a bit harder in Capture One since the program has customization of the UI and setting of your own defaults as two core principals where LR tends to have a more streamlined but less customizable workflow and benefits from being an Adobe product and therefore feeling immediately a bit more familiar to anyone who has used a variety of Adobe products in the past. The video tutorials on Capture One 6 (http://www.captureintegration.com/2010/11/30/capture-one-6-tutorials/) are a great way to get that initial familiarity.
The color editor, and especially the skin tab of the color editor are IMO the best-in-class color tools available today. The noise reduction (see my recent article comparing Noise Reduction in Capture One and LightRoom (http://www.captureintegration.com/2010/12/03/noise-reduction-in-c1-6)), lens correction tools, shadow color accuracy, tonal transitions, color accuracy of highlight recovery (especially in mixed lighting) and absolute level of detail shown at low ISOs (independent from sharpening) are all areas you should investigate.
As well the speed at which you can get to your final product is important so take some time to read through online tutorials and articles specifically about speeding up your workflow (without lowering the quality of the final product). There are tons on LightRoom. Here is our Capture One 5 Custom Keyboard Shortcut Article (pending an update for Capture One 6) that will give you some idea of how to get through large edits in Capture One as quickly as possible.
http://www.captureintegration.com/2010/05/14/capture-one-shortcuts/
Just some random thoughts - we give 8 hour presentations on Capture One so you can imagine it's hard to cram a suscinct argument, which is why, in general we recommend you go and "do" rather than "hear". After all it doesn't matter what anyone else says if you don't see the difference.
Doug Peterson (e-mail Me) (doug@captureintegration.com)
__________________
Head of Technical Services, Capture Integration
Phase One Partner of the Year
Leaf, Leica, Cambo, Arca Swiss, Canon, Apple, Profoto, Broncolor, Eizo & More
National: 877.217.9870 | Cell: 740.707.2183
Newsletter (http://"http://www.captureintegration.com/our-company/newsletters/") | RSS Feed (http://"http://www.captureintegration.com/2008/08/11/rss-feeds/")
Buy Capture One 6 at 10% off (http://"http://www.captureintegration.com/phase-one/buy-capture-one/")
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Do your own test! Both have free trials.
Take some of your most "problematic" files (high iso, mixed lighting, lenses with lots of chromatic aberration, portraits of people with problematic skin tone) and run them through both pieces of software spending enough time to get over the initial "learning hump". This is a bit harder in Capture One since the program has customization of the UI and setting of your own defaults as two core principals where LR tends to have a more streamlined but less customizable workflow and benefits from being an Adobe product and therefore feeling immediately a bit more familiar to anyone who has used a variety of Adobe products in the past. The video tutorials on Capture One 6 (http://www.captureintegration.com/2010/11/30/capture-one-6-tutorials/) are a great way to get that initial familiarity.
The color editor, and especially the skin tab of the color editor are IMO the best-in-class color tools available today. The noise reduction (see my recent article comparing Noise Reduction in Capture One and LightRoom (http://www.captureintegration.com/2010/12/03/noise-reduction-in-c1-6)), lens correction tools, shadow color accuracy, tonal transitions, color accuracy of highlight recovery (especially in mixed lighting) and absolute level of detail shown at low ISOs (independent from sharpening) are all areas you should investigate.
As well the speed at which you can get to your final product is important so take some time to read through online tutorials and articles specifically about speeding up your workflow (without lowering the quality of the final product). There are tons on LightRoom. Here is our Capture One 5 Custom Keyboard Shortcut Article (pending an update for Capture One 6) that will give you some idea of how to get through large edits in Capture One as quickly as possible.
http://www.captureintegration.com/2010/05/14/capture-one-shortcuts/
Just some random thoughts - we give 8 hour presentations on Capture One so you can imagine it's hard to cram a suscinct argument, which is why, in general we recommend you go and "do" rather than "hear". After all it doesn't matter what anyone else says if you don't see the difference.
Doug Peterson (e-mail Me) (doug@captureintegration.com)
__________________
Head of Technical Services, Capture Integration
Phase One Partner of the Year
Leaf, Leica, Cambo, Arca Swiss, Canon, Apple, Profoto, Broncolor, Eizo & More
National: 877.217.9870 | Cell: 740.707.2183
Newsletter (http://"http://www.captureintegration.com/our-company/newsletters/") | RSS Feed (http://"http://www.captureintegration.com/2008/08/11/rss-feeds/")
Buy Capture One 6 at 10% off (http://"http://www.captureintegration.com/phase-one/buy-capture-one/")
Doug,
Thanks a bunch for your interesting reply. I already have Lightroom 3 and have been using Lightroom for a number of years. Also have given Aperture 3 a try. Both have pros and cons. Never really took notice of Capture One until watching Jeremy Coward yesterday.
I have gone to their Website and started to view the many videos located on the site. I think I will take your advice and give the 30 day free trail a try. Thanks again for your reply.
Stu
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Yesterday I watch a live event on creativelive.com featuring Jeremy Coward. Most of his post processing was done using Capture One. Post processing seem to be very fast. My question, is there any real advantage of using Capture One over Lightoom?
The learning curve is higher on C1 than LR3. LL has a nice tutorial on C1 5 which might be a good starting point if you decide to use C1. There are many things taught that I had to learn the hard way, by trial and error.
LR3 is a big improvement over LR2; however, there are things in C1 6 which look pretty exciting. I plan to upgrade today. So, I'm in the C1 camp, not an unbiased user.
Both programs can render great photos. I find C1 does a better job, although LR3 is getting closer. I prefer LR3 DAM functions over anything found in C1, which is not a digital asset manager--I have not messed with Phase One's Expression software yet to see if I prefer it to LR3.
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I much prefer the C1 approach when it comes to files management, I mean that Lightroom has it all in one package while C1 is separate and to me less intrusive. I now did get what EM can do, still I find it way too slow and frankly poorly designed. (really looks like a free Linux software). I can't wait Phase putting their people at work to release a 100% Phase version and not this "poor" remanent of Microsoft.
On the C1 5 version, the only criticism I can do is the way it handles sharpening. The default is too much IMO, but not only that, I found the sharpening engine in general not at the level of the rest of the program to the point that I by-pass it forever and do that task somewhere else. Maybe a step has been done in the 6th version. Now, C1 styles are amazing, I got a big collection now and it really helps the workflow.
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With Lightroom you have a raw file and a small recipe stored in a database. With Capture one you have a raw file and a big TIFF file. Capture One is old think and Lightroom (substitute Aperture or Bibble Pro 5) is new think.
Erik
No, you clearly do not understand how C1 works. It maintains the raw in original form and adds an associated .cos file for the adjustment. You only generate a tiff in C1 if you tell it you want one, it does NOT automatically generate one for each of your images! And by the way, if you do want one, it can be 16-bit or 8-bit or even a jpeg instead, OR all three (or even more) versions of the same file, with any variety of color profiles embedded, and any variety of sizes, with or without exif, watermarks, etc -- the possible combinations are endless. But again, it only does the parts of that you want it to.
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I am surprised too with the Erik post and confirm the Jack's post about tiff. C1 has never generated a tiff by itself. C1, as Lightroom, uses also a parametric image editing, so original is never alterated.
What C1 generates are datas stored in folder+sub-folder located in the same directory. You can access those files.
Ps: you made me doubt for a second so I check in the american society of media photographers and they confirm that C1 uses a non destructive image editing engine. I guess the same for Phocus. (by the way, the moire removal in phocus is IMO very efficient, just a parentesis in the thread)
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Comparing Capture One with Camera Raw is more adequate than comparing Capture One and Lightroom.
???
You can compare ACR with the Quick Tab of Capture One... but certainly not with the entire application that is fully customizable (incl. keyboard shortcuts) and therefore offers a large variety of possible workflows.
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Hi Jack,
Thanks for pointing out that. I'm mostly using Lightroom and try to avoid using Photoshop, although I use CS5 now and than. I don't really see Capture One as a workflow solution, but I might be wrong on that. I guess that solutions tend to converge. I have checked out Capture one and even if I appreciated some of the features I felt it lacks the flexibility of Lightroom, so I decided not to use it.
I don't have anything against Capture One but I have always seen it as a raw converter and not as a complete workflow solution. I may be wrong on that and may need to reevaluate my view on the issue.
Best regards
Erik
No, you clearly do not understand how C1 works. It maintains the raw in original form and adds an associated .cos file for the adjustment. You only generate a tiff in C1 if you tell it you want one, it does NOT automatically generate one for each of your images! And by the way, if you do want one, it can be 16-bit or 8-bit or even a jpeg instead, OR all three (or even more) versions of the same file, with any variety of color profiles embedded, and any variety of sizes, with or without exif, watermarks, etc -- the possible combinations are endless. But again, it only does the parts of that you want it to.
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I much prefer the C1 approach when it comes to files management, I mean that Lightroom has it all in one package while C1 is separate and to me less intrusive. I now did get what EM can do, still I find it way too slow and frankly poorly designed. (really looks like a free Linux software). I can't wait Phase putting their people at work to release a 100% Phase version and not this "poor" remanent of Microsoft.
Microsoft made almost no significant changes to EM and it has very little Microsoft about it (just the Virtual Earth window). It was originally iView and was designed for the Mac and ported to Windows, and as such was very popular with Mac users.
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I don't have anything against Capture One but I have always seen it as a raw converter and not as a complete workflow solution. I may be wrong on that and may need to reevaluate my view on the issue.
Hi Erik,
I guess it depends on your definition of "workflow." And you are obviously entitled to your opinion of it as a tool for your needs, and only you can say which tool is better for you. But at the very least you should be aware C1 is far more than just a "raw converter," and at least speaking for myself, has become my primary image editing tool. The most recent enhancements make it even more efficient.
Cheers,
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Well, Mac sometimes does not design the best (Final cut pro?). In fact it was like EM has stopped to evolve at one point. When I felt it "rather slow" I checked in my boss computers that are super powerfull and it was the same.I admit that my intitial impression was not good and it does not mean, of course, that the program is not good. But I think the Phase guys will do much better now they have it.
Cheers.
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Well, Mac sometimes does not design the best (Final cut pro?). In fact it was like EM has stopped to evolve at one point. When I felt it "rather slow" I checked in my boss computers that are super powerfull and it was the same.I admit that my intitial impression was not good and it does not mean, of course, that the program is not good. But I think the Phase guys will do much better now they have it.
Cheers.
Mac was Involved with Capture One ? How long ago...i have never heard that ....just curious
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Hi Erik,
I guess it depends on your definition of "workflow." And you are obviously entitled to your pinion of it as a tool for your needs, and only you can say which tool is better for you. But at the very least you should be aware C1 is far more than just a "raw converter," and at least speaking for myself, has become my primary image editing tool. The most recent enhancements make it even more efficient.
Cheers,
Indeed Jack. But I think I got the Erik's point. The styles in C1 are super powerfull and it's true that more I built new styles, more my obliged move to Photoshop is reduced. But I guess that for people who want a "all-in-one" the Adobe product is more powerfull, but also more messy and needs a longuer learning curve, specially with the un-natural file management* and that is not tolerable in a pro configuration (I'm thinking in commercial here). That is why I've never seen so far a lightroom in use but C1 and Phocus, even when Phase cameras are not involved, C1 is there.
The philosophy differs, I'd say that if you are not working in a stressed pro environment and do not base your work in heavy retouching, go for lightroom. On the contrary, go for C1.
*I am aware that once you get use of the lightroom file management philosophy everything works fine, but I do not want such an integrated solution for certain reasons, others prefer it.
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Jack,
Reading your postings I realized that I have far to little experience with Capture One to form an opinion. Thanks for putting things right! I really only wanted to help, but it seems I was just giving wrong information. I have removed my original posting.
Best regards
Erik
Hi Erik,
I guess it depends on your definition of "workflow." And you are obviously entitled to your opinion of it as a tool for your needs, and only you can say which tool is better for you. But at the very least you should be aware C1 is far more than just a "raw converter," and at least speaking for myself, has become my primary image editing tool. The most recent enhancements make it even more efficient.
Cheers,
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I guess it depends on your definition of "workflow." And you are obviously entitled to your opinion of it as a tool for your needs, and only you can say which tool is better for you. But at the very least you should be aware C1 is far more than just a "raw converter," and at least speaking for myself, has become my primary image editing tool. The most recent enhancements make it even more efficient.
Reading your postings I realized that I have far too little experience with Capture One to form an opinion. Thanks for putting things right! I really only wanted to help, but it seems I was just giving wrong information.
It's more that "workflow" is a motherhood-and-apple-pie term that in the hands of marketeers means anything and nothing. The real difference between "traditional" raw converters like C1 and database-driven programs like Lightroom is the latter is a raw converter and a catalogue with DAM goals.
John
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Jack,
Reading your postings I realized that I have far to little experience with Capture One to form an opinion. Thanks for putting things right! I really only wanted to help, but it seems I was just giving wrong information. I have removed my original posting.
Best regards
Erik
No worries at all Erik, I just wanted clarity for the OP.
As for the DAM component, no question that LR is a leader there.
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To me, the biggest difference is in how the two programs render images. Do your own head to head testing, and I think that you will see what I mean. Don't just look for detail. Look for clarity, color, and depth. See for yourself which images appear more present and real.
In terms of workflow, LR's great strength has always been the integration of a host of features into a single program. C1-6 is catching up and now even has local adjustments and printing, but it has not yet pulled even in this regard. Still, many people like its simple, elegant interface and its very effective adjustment tools.
Download a free trial version of C1-6, and play with it for awhile. It may take some time to understand its organization, but once you have, it is very simple and straightforward to use.
Rob
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In an attempt to help people out I wrote up a short blurb on why I use Capture One Pro with a short quickstart of which videos to watch on Capture One to show you the power of Capture One compared to other applications if you are a Lightroom and Adobe Camera Raw user.
Check out http://vigorotaku.blogspot.com/2010/12/move-over-lightroom-here-comes-capture.html
I hope that you find this helpful.
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I use the DxO > DNG > Lightroom workflow and also wondered about that. From what I can find, there are two forms of DNG: RAW and linear. My understanding is that “linear” is a converted RAW image in TIFF-based format. DXO outputs DNG linear, so the RAW conversion has been completed in DXO. As a result, Lightroom does not do any RAW conversion of the DXO output, only additional editing of the converted image.
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I use the DxO > DNG > Lightroom workflow and also wondered about that. From what I can find, there are two forms of DNG: RAW and linear. My understanding is that “linear” is a converted RAW image in TIFF-based format. DXO outputs DNG linear, so the RAW conversion has been completed in DXO. As a result, Lightroom does not do any RAW conversion of the DXO output, only additional editing of the converted image.
Prior to discovering Capture One, that was my exact workflow. The linear DNG that DxO produces is a processed file. What you then import into LR is not a true raw image. I have since come to see this as a needless step, and now that C1-6 has local adjustments, it is needed even less. I much prefer the way the C1 renders images over both DxO and LR, and I export the best of them to CS5 for serious editing. If you need heavy-duty file management, you can use Expressions Media, which Phase One gives you for free, if you own C1--at least they used to. I don't know if that offer is still available.
Rob
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I have reading this with great interest. I have used Lightroom since the early beta versions and I must say it has revolutionized my photography and my workflow (except for the bookmaking provision). I always find myself curious about Capture One, especially with version 6 out now and if could offer a better solution. I am not likely to change from Lightroom as my primary software but for those special images I wonder. I am primarily shooting landscapes and architectural subjects and I am always looking for the best quality I can get from my RAW files. I am using a Canon 1Ds Mark III and make quite a few images with the new 24mm TSE II lens (which is stellar). Would capture one be better for this type of photography, or does it just boil down to taste? I know the most logical solution is to download the trial but I don't really want to go there unless the RAW processing is better and that I can expect results than Lightroom 3.
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I have reading this with great interest. I have used Lightroom since the early beta versions and I must say it has revolutionized my photography and my workflow (except for the bookmaking provision). I always find myself curious about Capture One, especially with version 6 out now and if could offer a better solution. I am not likely to change from Lightroom as my primary software but for those special images I wonder. I am primarily shooting landscapes and architectural subjects and I am always looking for the best quality I can get from my RAW files. I am using a Canon 1Ds Mark III and make quite a few images with the new 24mm TSE II lens (which is stellar). Would capture one be better for this type of photography, or does it just boil down to taste? I know the most logical solution is to download the trial but I don't really want to go there unless the RAW processing is better and that I can expect results than Lightroom 3.
Well, at the risk of sticking my nose into other chaps questions, you might like to look at the final part of a head-to-head comparison between Lightroom 3, Capture One Pro 6 and ACR6/CS5/Silver Efex Pro which I have just posted. Granted, it's focused on black and white conversions, but you might anyway find it helpful. :)
You can find the series on my site and the final part is at http://www.theintuitivelens.com/software/review-of-capture-one-pro-6-vs-lightroom-3-for-black-and-white-photos/
Cheers
Mike
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I'm not sure you prove much, if anything, other than if one tries to do so one can produce similar results in different products! Leaving settings at default is a little odd, and you've not really attempted to use the b&w conversion process to separate nearby colours into distinct tones - eg those in the left woman's blouse or between the brown briefcase in the foreground and the middle person's red sweater. Why didn't you use the targeted adjustment tool, for example? I'd argue that it alone produces better b&w images. But interesting exercise.
John
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Hello John,
Thanks for taking part. Good Point. By leaving some settings at default, I was attempting to use just 'basics' in each conversion to see what result I could expect, without pursuing the 'ultimate' conversion in each case. The idea was to get a fundamental understanding of each environment and the overall 'character' of each's result. I think attempting to make the absolute 'best' result in each case would bring into the exercise many more personal preferences, which of course would please some and irritate others, but you make a valid point. I did, of course, use the global tonal adjustment sliders in each application to vary tonal mix for each image, as the article shows. For local adjustments, I used the adjustment brush or equivalent in each application - just my preference.
I'm not sure I was deliberately trying to 'prove' anything, as I suggest in the conclusion. To do that I would have gone 'all out' in each application, but I think I would have chosen a different, less mundane image for that particular exercise. I may take up that challenge when Silver Efex Pro's new version ships. Anyway, I was keen to share the 'overview' exercise and get feedback, so thank you for taking the time. :)
Mike
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By leaving some settings at default, I was attempting to use just 'basics' in each conversion to see what result I could expect, without pursuing the 'ultimate' conversion in each case. The idea was to get a fundamental understanding of each environment and the overall 'character' of each's result.
Well, your final judgement was influenced by leaving some of those settings at default. The overall contrast of the Lightroom rendering was, to my eye, flat. I think you prolly should have optimized the tone curve either before the Color>B&W or at least after.
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Well, your final judgement was influenced by leaving some of those settings at default. The overall contrast of the Lightroom rendering was, to my eye, flat. I think you prolly should have optimized the tone curve either before the Color>B&W or at least after.
Hi Jeff,
My word, you do meet some wonderfully talented people on this forum! Incidentally, I just got back from Barnes and Noble in Jacksonville where I actually found (and purchased) a copy of John's 2007 book 'Advanced Digital Black and White Photography' which I could not get in the UK. I'm also plodding my way through your excellent 'Real World Sharpening with Adobe Photoshop, Camera Raw etc' on Kindle on the iPad.
Actually, per your comment above, that is exactly how I felt about it too, but I did not alter contrast on the other two exercises either. I felt I wanted to see what each application would produce without additionally enhancing contrast or adding differing amounts of sharpening in each case, although I realise that by using the colour sliders to alter the tonal balance I am to some degree altering the balance of contrasting tones anyway. I agree, the Lightroom example IS 'flatter' by comparison. I also have no doubt whatever that more could be made of the image in every one of the environments, particularly by artists more talented than I.
That is also why I invited anyone to repeat the exercise, with the same file, in their chosen application and see what they could make of it - 'going all out' as it were. I'm sure many of us would like to see what the experts could make of it. They, of course already know the answers to these questions. I do hope people take me up on the offer. :)
In any event, and it's easier for me to say this because I did the work, step by step, with the actual image in each environment; the result I managed to achieve did surprise me. I gained a greater respect for Lightroom Version 3 and, to my surprise, felt that Silver Efex Pro was not the default winner as I expected it would be. Capture One was entirely new to me, so I had to work hard to understand a new set of tools and workflow. But, I was very impressed with my final version from that software. Maybe that isn't entirely supported by relatively small Jpegs in a blog post but, it seems to me that C1 Pro 6 has a great deal going for it - even if it does have further to go in catching up with competitive 'features'.
Cheers
Mike
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Actually, per your comment above, that is exactly how I felt about it too, but I did not alter contrast on the other two exercises either.
Well, if the "defaults" for tone curves in various apps are different, aren't you duty bound to take steps to match the base tone curve? I mean, it's a very quick tweak and arguably easier to document than doing local corrections which impacted the image considerably.
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Well, if the "defaults" for tone curves in various apps are different, aren't you duty bound to take steps to match the base tone curve? I mean, it's a very quick tweak and arguably easier to document than doing local corrections which impacted the image considerably.
Jeff,
Now that's an interesting idea. Since I thought that leaving each application's contrast curve set at 'linear' i.e. no change or 'flat', I reasoned that what 'came through' would have comparable linear contrast. Are you suggesting that each applications 'linear' is no such thing? That, in fact, each application is applying some measure of contrast adjustment even when the curve is set 'flat' in the UI in all of them?
If that's true, I hadn't thought of it. Please elaborate.
Mike
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Are you suggesting that each applications 'linear' is no such thing?
Of course not. Why would you possible think that different processing applications could possibly have defaults anywhere near each other? Sorry, that's pretty silly on the face of it. No way C1 and LR could possibly be anything near similar. Just not in the realm of possibility, really.
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I think the highly technical paradigm that software engineers use to determine the "defaults" in their software is this: "I kinda sorta think most people want their photos to look sorta like this, kinda."
Same principle is why default jpegs from Canon look exactly like the ones from Nikon or Phase 1 or ... What? They look different? ???
Eric
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Of course not. Why would you possible think that different processing applications could possibly have defaults anywhere near each other? Sorry, that's pretty silly on the face of it. No way C1 and LR could possibly be anything near similar. Just not in the realm of possibility, really.
OK, I give up. I was thinking, obviously incorrectly, that 'no contrast curve' or 'linear' implied no contrast adjustment in interpreting the RAW file.
Now you raise it, I should have worked out that the 'default' (No curve but a setting of Contrast = 25, for example, in ACR or even 0 for that matter or its equivalent 'default' no curve in each application) meant that each developers interpretation of the RAW data with 'default' and no curve, or whatever, would potentially be very significantly different - although how we are expected to set a level playing field here, other than by eye, is interesting. I was thinking that there might be some kind of standard interpretation of RAW involved in this regard. Haa!
Thank you gentlemen. I guess to you experts, that was obvious. There you go. Maybe it should have been equally obvious to me. Well, I, and perhaps a few other people reading this, have realised something new. :)
Mike
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I was thinking that there might be some kind of standard interpretation of RAW involved in this regard. Haa!
Surely you jest...
A "standard interpretation of RAW", are you kidding?
Ain't no such thing...the basic tone curve is an app by app decision and there are no settings in one app that have any relationship to other apps. Every app will make basic assumptions that have zero impact on other app's assumptions.
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As you say, Sir. As you say. Aye, and that's an end to it.
I'll go back and repeat the work, but this time 'all out'. Individual preference or no. The result will still be of interest at least to me and if Silver Efex Pro 2 ships I'll take the opportunity to compare that too while I'm at it.
I would be very interested to know if anyone else has attempted this kind of comparison of the current crop - and how they fared with it. It doesn't look like anyone else is willing to toss their hat into the ring, try the file and share their efforts. Pity - we all might have learned something special from those more experienced.
I don't think I was the only individual interested in identifying if and which application might just have the 'edge' in this kind of work.
Mike
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I don't think I was the only individual interested in identifying if and which application might just have the 'edge' in this kind of work.
The problem is, you can't in good faith, merely do comparisons of "Default" vs. "Default" since the defaults are simply that a default starting point. I've seen lots of these sort of reviews between different raw processing apps and it's useless and a waste of time.
What is more interesting is to compare the "best" that each app can produce...the only problem with that is it requires a degree of excellence in multiple applications which doesn't happen all that often. I'm pretty decent in C1 but by no means an "expert". I am a bit of an expert in Camera Raw (I write a book about it) and pretty darn good in Lightroom–because it's very close to ACR processing (same rendering, different usability) and I've also been involved in the development in both.
But, ultimately, getting the best out of your images really means knowing exactly what you want your images to look like. Trying to preconceive the end result in multiple applications sounds like a recipe for insanity...
The bottom line is, you made a capture, you have a look you are trying to achieve, THEN is not the time to try various processors to try to achieve what you want. Pick an app and become competent with it to the point you can get what you want. If you can't get what you want, move on and try another app. Trying to compare, superficially, various applications is, I think, a fool's errand.
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I've seen lots of these sort of reviews between different raw processing apps and it's useless and a waste of time.....
...... Trying to compare, superficially, various applications is, I think, a fool's errand.
OK. Well, I guess I asked for it.
However, with all due respect, I got quite a bit out of the effort, so I would hardly describe it as a fool's errand. It certainly wasn't a waste of my time and I didn't think it to be useless. Neither did I think experimenting with film, development times, dilutions, temperatures, agitation etc was a waste of my time when I was working in the wet darkroom - before I was able to decide on which combination and workflow was best for my black and white work in those days. I see this exercise as somewhat similar. If one was expert in all of them one wouldn't need to experiment, would one?
As you say, the difficulty lies in acquiring the expertise to facilitate the perfect 'experiment' to answer the apparently simple question. :)
And there, I think, after a robust and challenging exchange, is the place to leave my question and return to the original point of this thread - please excuse me for butting in.
Mike
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If I was expert in all of them I wouldn't need to experiment, would I?
No, but welcome to the internet where a few well place "reviews" can sway a variety of users who AREN'T so inclined to do the work to make their own discoveries...
Make no mistake, I have no issue with you making an effort and reporting your results. The only issue I have is with how definitive you may state your results to be (and the limitations your results show).
I think C1 is a very good raw processing application. But C1 V6 is the FIRST version where you can actually make your own Color>B&W conversions that are not based on some sort of profile. For C1, it's baby steps...and C1 is coming along quite nicely (which I personally support in ways I can not discuss).
I'm not diss'ing C1 V6's Color to B&W conversion...it's a much needed improvement. But some apps have been at it for while...it's just useful to compare apples to apples and not oranges, ya know?
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Mike
- Trying to pull together this and your b&w thread (http://www.luminous-landscape.com/forum/index.php?topic=50444.0)
There's a lot of what Jeff has said here that there's no point my repeating. I'd just emphasise my initial point about treating the default with caution (is Kodachrome more right than Velvia, HP5Plus than TMax?) and I'd very much agree with Jeff's point about how a fair "all out" comparison is incredibly difficult, if not impossible. As the saying goes, "Jack of all trades...". In the end, and thinking particularly of b&w, skilled hands can squeeze the same "objective quality" out of each app so my emphasis is less on pixel-peeping and more on the process of getting to the best expression of the picture. That's why I put a lot of emphasis on the benefits of using the targeted adjustment tool (the little nipple in the top left corner of LR's B&W panel or in Photoshop's B&W adjustment layer) as I find that it your keeps your eyes completely on the picture and its changing appearance, rather than the more mechanical process of dragging sliders or picking some preset and believing its author has accurately calibrated the spectral response of film X (and factored in lens filters and developer agitation...).
John
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By the way, Mike, I think you may also want to include grain in your b&w comparison. Plenty of people think b&w = grain. While it's not always true - they obviously haven't developed Pan F or APX25 in Ilford Perceptol 1+9 - I'd still say grain can be part of the b&w palette.
John
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Well Gentlemen,
At the risk of being banned from this Forum for heresy (daring to contradict the mighty), having read this series of threads again in the cold light of day, I think I can say, without any malice whatsoever, that there are as many holes in your argument as there are failings in my methodology. I have no issue with your basic criticism regarding 'defaults' but your supporting arguments don't seem to me to be sufficient or even self consistent.
Be that as it may, I'm not persuaded, as you seem to be, that such an attempt at a fair and objective review is impossible. Granted it will need to be very carefully planned , taking account of each step in the process and meticulous in execution. I do not subscribe to your contention that every application can produce the same objective quality of result. I think that is a delusion and unsupported by any evidence. That's the whole point.
So, and I promise this is my last response in this thread, I will quietly continue the work. Thank you for the guidance. I shall make a much better job of it next time.
Mike
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But C1 V6 is the FIRST version where you can actually make your own Color>B&W conversions that are not based on some sort of profile.
not quite correct. The "B&W" (neutral) profile has always provided a "uncorrected" B&W conversion (if you want so: a desaturated "no colour correction" profile). Starting from here you could use the Color Editor to adjust the B&W files. It was not very intuitive to use when you are used to a chanel mixer workflow. But basically the tools have always been there.