I would definitely go for the 3800 over the 2400. Lower cost per ml of ink, and from reports signficantly less problems with clogging. Main drawback would be lack of roll feed.Thanks alot John,
If you are looking at a 17 inch printer in that price range, another choice would be the Canon iPF5000. Available at fire sale prices from itsupplies.com (and probably other places, but this is the lowest price I have seen and my dealings with itsupplies have been very good). The Canon is very large, and there are other factors that may be an issue. You can read more here:
http://canonipf.wikispaces.com (http://canonipf.wikispaces.com)
Edit: Just noticed you are in Sweden, don't know about availability of iPF5000 there.
--John
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After following the link you provided I found alot off new review links that I havnt seen before. Also a user experience review that seem to be written by yours truly. Like user experience review more technical spec reviews.
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and from reports signficantly less problems with clogging. Main drawback would be lack of roll feed.
I have never had my 2400 that I have printed thousands of prints off of over the last 2 years clog once. It has worked flawlessly. The only clogging issues I ever had with Epson printers were with their single catridge printers - all of the new ones have separate cartridges that are very reliable.
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Every Epson printer that I have had (2200, 2400, 9600) has had significant clogging problems. A couple of friends have had similar problems. I live in an area where humidity generally runs around 60%, so that isn't the problem.Try running an Epson in an area with 35-40% typical humitidy, you will be running head cleanings every other day. That's why I sold my 7600 and went to the Z3100, I got tired of dumping 40% of my ink trying to keep my printer unclogged. Since I switched to the HP last April, I have not had a single head clog.
Since I switched to the HP last April, I have not had a single head clog.
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Thou now I am really thinking alot about the weight on the Canon printer. Sure indeed, beeing a weight training swedish viking it is alot to move around even for me
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I think both printers seems very viable. So I will try to do some real scouting for some real-life experience with both. I will have do some budget estimations how much the cost will differ between them.
I would definitely go for the 3800 over the 2400.
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Odds are, you have...you just don't know it since clogged nozzles get mapped out and spare nozzles get picked up and used...and that's fine until you run out of unused nozzles–at which point you'll need to replace the heads.
................
And Andrew Rodney, who lives in Santa Fe where the relative humidity is about 9% on average has not had clogging problems with his 3800.
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I totally agree, I've had both (well I have the 3800, the 2400 is gone). Absolutely no comparison in terms of speed, print quality, cost effectiveness. Not that much larger foot print, built in Ethernet. This is an easy one, go 3800.Is there really such a big difference in print quality??
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not to hijack the thread but quick question about 3800 vs 2400. i personally own the 2400 and would suggest it in a second. i print mostly [read: only] with moab entrada paper. i usually am printing portfolio spreads with it that are double sided. i have a theory that the since i have to load the paper in the rear sheet loader that there is a small margin of user error where the paper can print on an angle of say 1/16th. which isnt that much, but it can mess things up if its double sided... sooo with all of that said. does the 3800 have a front loader for the thicker water color papers? as i feel that would help with the allignment..
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Try running an Epson in an area with 35-40% typical humitidy, you will be running head cleanings every other day.
Hi,
Are you saying more or less humidity causes more frequent nozzle clogs? (I'm not sure if you're suggesting 35-40% humidity is high or low) .
I'm just wondering what to expect here in San Francisco where it is quite humid (e.g. right now it's sunny & clear and 60% humidity. This afternoon when the fog rolls in, it'll be much higher).
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...............
Canon and HP are a bit more insistent about using their papers.
..............
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This statement I wonder about. Don't you think that with any of these printers as long as you can get a good custom profile made for whatever paper type you chose the results should be fine?
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I think the issue is more in the Canon area where I still have concerns about the lack of print permanence data. The HP Z series seem to have good data available at Wilhelm imaging. Epson has a long history of strong data at Wilhelm. I just now looked at Wilhelm Imaging and was pleasantly surprised to see the Hahnemuhle papers tested on the Z3100. I now seem to recall that HP and Hahnemuhle have some sort of partnership agreement to market tested papers. That is a very positive step in my mind. Canon needs to do the same.
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I have been running a 2400 for 2 years or so. It is an excellent printer. Nozzzle clogs have been minimal, regardless of humidity. Image quality is excellent on matte and glossy papers. Ink costs are high compared to the 3800.
I would take issue with one claim that the 2400 is difficult to swap glossy and matte black cartridges. I just change the cartridge. Not a big deal compared to my 7880....whoa that is a pain.
Based upon ink costs alone, I would recommend the 3800, but based upon quality and ease of use, the 2400 is extremely close.
Talking about ink-costs; why not go for the 4880 at once?
Half the ink-costs vs 3800, Roll option, cutter, sheet-tray and more robuste.
One compelling reason to go still go with Epson printers is that in the fine art community, there is a lot of experience using them. It is rare that you can't find profiles or significant experience with whatever problem you might have on an epson. The HP and Canon printers are building a reputation and knowledge-base among artists, but if you want to leverage the experience of other artists online, the epson will be far easier.
I totally agree......
Finally, what paper do you want to use? Choices about your paper are integral to the decision about printer. Will you need to switch back and forth between matte and glossy papers? Do you like to use a variety of third party papers? Epson generally has the best support for a multitude of papers. Again, there is a lot of experience using every possible paper/ink combination on Epson. Canon and HP are a bit more insistent about using their papers.
If you don't have a spectro and make your own profiles.
Good luck, and remember, there aren't really any bad printers in the price range you are looking at. Whatever you get will make you happy.
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Canon has published the results (including Wilhelm's results) here:
http://canonipf.wikispaces.com/space/showi...ce_April_07.pdf (http://canonipf.wikispaces.com/space/showimage/LUCIA_Ink_Resistance_April_07.pdf)
Apparently, they didn't want to pay the stiff prices Wilhelm would charge to publish officially on his site. At least, that is the line we are hearing. Seems reasonable to me, but don't know if it is true or not. Canon's own testing results are also included in this document.
--John
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Results look adequate, if unimpressive. The conspiracy theorist in me says the whole thing sounds fishy.
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John, I haven't had much experience with the Canon papers, they sent me two kinds; Premium Bright Photo Satin and Premium Matt. The Bright Photo is absolutely awful and ugly IMHO. I was far happier using Epson Luster. I wonder how that would affect longevity.
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I' curious, what looks fishy?
John, I haven't had much experience with the Canon papers, they sent me two kinds; Premium Bright Photo Satin and Premium Matt. The Bright Photo is absolutely awful and ugly IMHO. I was far happier using Epson Luster. I wonder how that would affect longevity.
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I read that paper profiles for Epson is ok. As I understood after watching camera to print it very expensive to profile by yourself.If you manage to narrow your paper choices down to one or two or just a few, then having profiles made for them is much less expensive than either buying (and learning to use) the equipment + software needed to profile it yourself or buying an expensive RIP (such as ImagePrint) which has generally good profiles for many papers.
Is there any cheapo way to profile prints?
I saw that some people offer you to profile, but isnt that just for one paper profile?
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I just got a custom profile from Cathy for $35. It looks good. I wouldn't consider getting profiles as an obstacle, especially with the 3800. In the past I have always had good luck with profiles from the paper provider. In this case, the Epson 7880 profiles from Entrada were very bad. My ne ones are much better.
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(Sven,
Sunesha/Daniel
Of course we also make good printerprofiles in Sweden......
Eyeone + ProfileMaker + Atkinson chart = All you need.
Contact me offline or have look at my site (sorry only in swedish)
www.profiler.nu
/Sven
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I don't generally trust business or industry to provide the whole and unvarnished truth. They may not exactly lie, but they may also not be entirely forthcoming. That is why public companies need independent financial audits. That is why I like an independent firm like Wilhelm to certify results. If they are unwilling to certify the results, then I am suspicious about what is being witheld from Canon's results.
It may be that I am being paranoid, but epson has a long history of certifying results. HP is obviously also committed to certifying their results with Wilhelm. What is so special about Canon that they don't need to have the same independent validation.
I own a canon camera. I love it. But until they get their print longevity story in order it will remain an obstacle to me buying their printers. Print longevity is very important to me.
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I had a long conversation with 3 people from Canon ... I can't say names, but this was at a national level, and included his boss from Japan.
I have even forwarded this conversation on to him, because it keeps coming up. You're right, it does look "fishy" that after this long, Wilhelm hasn't published their results.
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I had a long conversation with 3 people from Canon ... I can't say names, but this was at a national level, and included his boss from Japan.
I have even forwarded this conversation on to him, because it keeps coming up. You're right, it does look "fishy" that after this long, Wilhelm hasn't published their results.
The problem with Wilhelm is that while they are "independent" in one way, they are very dependent in another ... they need these companies to pay them pretty large amounts of money to stay in business. This situation isn't much better, and it is possible they have tried to leverage themselves to the point of holding companies hostage. According to my conversation, this is exactly where Canon is with Wilhelm ...
The simple fact is Canon's internal testing is more extensive than Wilhelm's, at this point even Wilhelm has admitted that worse case scenario they are at 95 years (and still going ... though I'm sure it's concluded by now).
My real problem with Wilhelm is they tend to focus only on the inks, yet the paper bases are a huge variable in how they react to ink.
The problem with longevity testing is it doesn't account for real world scenarios. I've also felt for some time that fading really isn't the challenge of longevity. Most prints will die from physical damage (lost, trashed, burned, spilled ... you name it) far before they ever have a chance to fade.
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I'd be interested to know what inside information you have about Wilhelm's business to know that he has any capacity whatsoever to hold any of these companies "hostage" - hostage to what? They are his clients.
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I'll tell you EXACTLY how Canon feels like a "hostage" when dealing with Henry...Henry's terms are completely upfront and part of it–the test results will be the test results–period. And, Henry's timetable for testing can't be hurried and he doesn't negotiate his fees and terms...you either pay, or he doesn't do the work. That's why Canon feels like they are being held "hostage" because he won't play games
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Epson R2400:
* can print on sheet and roll paper
* can print only 13" wide
* cheaper to buy
* more expensive to keep running due to ink cost
* switch between matte black and photo black tedious and expensive
Epson 3800:
* can print on sheets only, no roll paper
* can print up to 17" wide, can still be lifted by a single person
* more expensive to buy but comes with 9 x 80 ml of ink
* cheaper to keep running due to lower ink cost
* switch between matte black and photo black quick and fairly cheap
An A3 size colour print uses approx. 2 ml of ink so a set of eight 13 ml cartridges will last through approx. 50 A3 prints (provided you're using up all colours evenly). Eight 80 ml cartridges are good for more than 300 A3 prints. So in order to get the same number of prints as with the 3800, with the R2400 you'd need to buy approx. five additional sets of ink cartridges, at a total cost of about $400 - $500 US. Don't forget to take the value of the ink sets coming with the printers into consideration!
-- Olaf
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Canon may be feeling the heat because both Epson and HP have seen the value of Henry's work and have agreed to have Henry work on his terms. So, two out of the big three can be compared, apples to apples.
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Is the following assumption correct or am I missing something?
If the 3800 prints 300 A3's with one cartridge set and considering the lifespan of the cartridges inside the printer (6 months or more?), the 3800 could need a reasonable printvolume to make it economical. Even considering a 2 year lifetime (which seems quite much) and the assumption that the lowest used inkt is used at half the average rate, the 3800 "needs" 300 A3's a year.
Maybe the cleaning cycles will higher the inkt usage "enough" to change the nr's, any experience?
Alain
Alain
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Image Engineering in Germany does independent fade tests right now and the first results have been published in the German magazines ColorFoto and Fine Art Printing.
Based on Iso Standards still in development but not much different to what Wilhelm uses and including ozone test results. It correlates well to Wilhelm's findings where Wilhelm published the results but there are no ozone results for Epson K3 (still in test :-) and no Canon data in general. In the German test Canon however occupies third place after Epson and HP is definitely up front.
I had some scans of the test result pages but can't put that on the web. This is new: Some results are published on Image Engineering's pages. A bit cryptic in this form, realize that RC papers have very good ozone resistance with almost all manufacturers but that RC papers themselves are estimated to have a lifetime of 70 years at most. Ozone fading is a problem for non RC papers that are not framed behind glass or not protected by a good varnish, it can give a shorter lifetime than the light fading alone creates. Years are shorter in the German testing but there are no real opposite results to Wilhelm's but with the Fuji Crystaljet and Cibachrome.
http://digitalkamera.image-engineering.de/ (http://digitalkamera.image-engineering.de/)
Ernst Dinkla
try: http://groups.yahoo.com/group/Wide_Inkjet_Printers/ (http://groups.yahoo.com/group/Wide_Inkjet_Printers/)
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Let's do some of the arithmetic:
Ernst, as you know this can't be discussed without reference to the display/storage conditions. For Epson Premium Luster (RC) in a 3800 Wilhelm shows a huge range from about 70 years under some display conditions to over 200 years in albums/dark storage.
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..., the 3800 MUST be a much cheaper printing option unless you really think you will be printing so low a volume that the inks will expire to the point of becoming unusable. I've never had that happen in 8 years of printing with Epson professional printers. While the official life of an open cartridge is 6 months, I've heard - reliably - that this is intended to be a very "safe" and "conservative" estimate.I agree.
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On my Epson 2200 I have used Epson inks that were up to three years past their expiration date with no problem whatever.
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I agree.
On my Epson 2200 I have used Epson inks that were up to three years past their expiration date with no problem whatever. I expect the same is true for the 3800. When my 2200 dies, I will definitely go for a 38xx over a 24xx.
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Where those inks inside the printer for three years or just on a shelf within there packaging. This could be a big difference.They were sealed in the original packaging. I had bought some old stock on which the expiration dates were hard to read in the store.
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One thing you should do, if you haven't printed in a while, is to take out the ink carts and do a gentle agitation to re-mix the pigments in the inks. Most people follow the directions for agitating when they first install the carts but then kinda forget that over time (even as short as a month) the pigments tend to settle out of solution.
I have a lot of printers (currently a 4800, 7800, 9800 as well as a 3800 which gets the most use) and the first thing I do after not using a printer for a while is take out the carts, rock them gently back and forth and re-insert them. Then I do an auto-nozzle check to confirm the nozzles are clear and then do an auto-alignment on the heads to make sure the alignment is good (I have printers on rolling stands and they get moved around a lot).
The only caution I would make is when BUYING ink carts, not to accept short dated (or out of date) carts...unless the retailer offers a substantial discount and you think you'll run through the ink in a relatively short period of time.
But agitating the ink is a good way of making sure you cut down on nozzle clogs.
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The prices of the two printers are very close after factoring in the $400+ of ink that comes with the 3800 as well as the current rebate. The ink in the 3800 also seems to go further per ml.
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I am more than grateful for your valuable input from all off you. After reading reviews and information sites on the 3800 and iPF5000. I think roll paper will be a more cost effective solution for me.
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Sunesha,Bill,
I'd suggest you check out the per-print cost of roll paper vs. sheet paper. I recently did and found out that sheets were less costly than roll, at least up to the 13" width my 2200 could accommodate.
I've recently added a 4800 and I've found there's a very distinct difference in the consumer-grade Epsons and the pro models. If you don't need the roll feeder for panoramas, I'd recommend the 3800. I've been very happy with my 2200 but it's definitely not the printer the 4800 is. I can't speak for the 2400 since I don't have one, but there's a world of difference in the 2200 v. the 4800 in print quality, speed and versatility.
I use the 2200 with MK inks for rag papers and I'm looking forward to upgrading to a 3800. Since rag papers aren't available on rolls, the lack of a roll feeder isn't a consideration. And the 17" width capability of the 3800 would be a definite bonus.
I've found that, all things considered, spending the money for pro-quality tools has been money well spent. I've been making my living with tools of one sort or the other for over 30 years now and have tried to economize when I could, only to find that I'd have been better off spending the extra money up front. Pro tools may cost a little more initially, but they do what you want when you want with no accommodations and/or fiddling around required on your part.
Of course, a lot of this depends on what you intend to do with the printer. If you typically print 10 prints a month, the 2400 is a no-brainer. If you print 10 prints a day, I'd recommend the 3800, unless you have a specific need for the roll feeder. In that case, I'd think you'd be better off with the 4800 or 4880.
As in a lot of questions on photo gear, it all boils down to "It Depends". What your requirements are, how often you'll use the printer, how long you're willing to wait for a print, how much you're comfortable with paying for ink on a per/print basis,these are things you have to decide for yourself. Then you can evaluate what matters to you and what value you place on the different capabilities of the printers available in your chosen price range.
I'm sorry I can't say" Buy this one" but there are just too many personal requirements involved.
At the least, I hope this helps in some small part in making your decision,
Bill
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Good evening,
My name is Daniel, a photo enthusiast not a pro. I been using a local printshop for doing my prints. Which has become a quite expensive and unpredictable experience. My main software for printing is Adobe Lightroom with Photoshop CS2(havnt afford the upgrade yet).
The thing that puzzle my choices is print cost. I understood after I bought "Camera to print", which was excellent instruction video to start understand photo printing. The gear showcased there was execellent.
The price difference between the 2400 and 3800 is quite large. Also when to account the paper cost printing A2 size paper it was a bit higher. But on the other hand I am appealed to the bigger prints and the cartridges seems to hold more ink. But I have hard time to count the cost diffrence?
Also havnt read a good review of 2400, had read couple off 3800. Most the reviews read about 2400 hasnt really got me understanding what the diffrence would be beetween this two.
Anyone can explain how you make a cost estimation?
I think I would print around 20-30 A3 prints a month. I have calibrated screen and understand that part of printing. But as landscape, architecture photo enthusiast. I am not really sure what I am gonna be pleased with. If money wasnt a issue I would go for 24 inch printer in a heartbeat.
Are there any option in the price range of 2400 and 3800 worth looking at also?
As framing photos do you think a 13 inch printer makes a large enough print for a landscape with forest detail? (has mostly done 24-30inch(something, not used to the inch system) )
Got good source for very cheap frames(Ikea) ;-) and love giving away prints to friends, often photos of landscapes or buildings that has a special meaning for them. Sorry for my lengthy post, but having problems to decide for myself and looking for people to push me to any direction.
CHeers,
Daniel
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......
I still hunting for a good 13inch roll paper for some off my panorama shoots, which is maybe one of twenty off my landscape shoots.
I think I move to bigger printer in a couple off years. But for now I happy with the smaller 2400. I only have test prints from 3800 and think 2400 is the same in print quality to my eyes.
Cheers,
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