Luminous Landscape Forum
The Art of Photography => User Critiques => Topic started by: Jeremy Roussak on October 16, 2010, 11:54:21 am
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Just an ordinary honey bee?
Jeremy
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Jeremy,
No stinger, Syrphid Fly of some sort.
Rich
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Yup, a hoverfly or syrphid of some sort - sometimes called a 'bee imitator', 'cause bees taste bad to birds. If you want a positive ID, I'd suggest http://bugguide.net as you can post an ID request there.
Mike.
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Just an ordinary honey bee?
Jeremy
Although not technically a bee, it's certainly not ordinary.
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I am curious however as to what lens and what technique you used to get that close to this fly. They tend to be skittish in my experience meaning they'll take off real quick if you move close enough towards them.
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Could be Allograpta fuscotibialis (from the Syrphidea family as pointed out by others)- the first pair of chevrons that are seperated on the abdomen and the species's fondness of daisies points to that direction. I could be wrong though.
Lovely photo Jeremy.
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I am curious however as to what lens and what technique you used to get that close to this fly. They tend to be skittish in my experience meaning they'll take off real quick if you move close enough towards them.
I used my brand-new Canon 100mm/2.8 L IS macro on a 5d2. This was its first outing and I certainly don't regret the purchase. I bought it after playing with a friend's older, unstabilised version and realising that my formerly steady hands now had quite a tremor. The merits of stabilisation in this lens have been extensively discussed in another thread recently: on this occasion it was irrelevant to the actual exposure (1/1000) but it certainly helped me to frame the shot. I had wondered about getting the 180mm macro but I'm quite sure that I wouldn't be able to use it hand-held!
As to technique, I don't really have one. It was a lovely warm October day in Cheshire and I was with my family visiting Arley Hall, a country manor near where I live which has very beautiful gardens. There were some flowers near a wall; I just waited for a while. The only "tricks" I learned in those few minutes was not to cast shadows, which faze butterflies in particular, to approach slowly and to be a little patient (my wife will happily tell you that "a little" is about as patient as I get). The crop here is about 1/3 of the frame.
Jeremy
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Could be Allograpta fuscotibialis (from the Syrphidea family as pointed out by others)- the first pair of chevrons that are seperated on the abdomen and the species's fondness of daisies points to that direction. I could be wrong though.
Lovely photo Jeremy.
Thanks, Riaan. As I mention above, it was taken in northern England a couple of weeks ago, if that helps.
Jeremy
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I used my brand-new Canon 100mm/2.8 L IS macro on a 5d2. This was its first outing and I certainly don't regret the purchase. I bought it after playing with a friend's older, unstabilised version and realising that my formerly steady hands now had quite a tremor. The merits of stabilisation in this lens have been extensively discussed in another thread recently: on this occasion it was irrelevant to the actual exposure (1/1000) but it certainly helped me to frame the shot. I had wondered about getting the 180mm macro but I'm quite sure that I wouldn't be able to use it hand-held!
As to technique, I don't really have one. It was a lovely warm October day in Cheshire and I was with my family visiting Arley Hall, a country manor near where I live which has very beautiful gardens. There were some flowers near a wall; I just waited for a while. The only "tricks" I learned in those few minutes was not to cast shadows, which faze butterflies in particular, to approach slowly and to be a little patient (my wife will happily tell you that "a little" is about as patient as I get). The crop here is about 1/3 of the frame.
Jeremy
Welcome to the world of macro :)
The real trick is to frame in such a way as not to have to crop. The other trick is to learn the patience that will get you into such a position, especially when you finally get the @#%$er to sit still, get your perfect angle ... and then the wind blows, or the subject flies-off (take your pick) (http://www.johnkoerner.org/Emoticons/laugh.gif)
Also, it's very hard to get very bright whites and stark yellows like that to come out right sometimes, especially in the mid-day light.
Jack
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