Luminous Landscape Forum
Equipment & Techniques => Medium Format / Film / Digital Backs – and Large Sensor Photography => Topic started by: pixjohn on April 03, 2009, 12:03:07 am
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I just wanted to inquire if anyone is shooting with the Mola beauty dish. I already have a dynalite dish but want to add a 2nd dish. I am thinking about getting the Mola Demi 22" Soft Light Reflector, White Interior or Mola Setti 28" Soft Light Reflector, White Interior. The Mola web site does not give a lot of info.
Anyone have sample images of the two dishes?
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Can't comment on the dynalite but, the mola's are great!....gives a nice wrap with an awesome crispness to it i've never seen replicated by anything else. nice light quality for sure.
I just wanted to inquire if anyone is shooting with the Mola beauty dish. I already have a dynalite dish but want to add a 2nd dish. I am thinking about getting the Mola Demi 22" Soft Light Reflector, White Interior or Mola Setti 28" Soft Light Reflector, White Interior. The Mola web site does not give a lot of info.
Anyone have sample images of the two dishes?
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I just wanted to inquire if anyone is shooting with the Mola beauty dish. I already have a dynalite dish but want to add a 2nd dish. I am thinking about getting the Mola Demi 22" Soft Light Reflector, White Interior or Mola Setti 28" Soft Light Reflector, White Interior. The Mola web site does not give a lot of info.
Anyone have sample images of the two dishes?
I have them all. The demi gives a light that is close to certain focus settings on the Briese Focus 77. The Setti gives a more parabolic light, but at 28" an overall softer feel than a deep parabolic reflector. They are a bitch to move around, so aside from the demi, they are studio only.
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I have them all. The demi gives a light that is close to certain focus settings on the Briese Focus 77. The Setti gives a more parabolic light, but at 28" an overall softer feel than a deep parabolic reflector. They are a bitch to move around, so aside from the demi, they are studio only.
Hi
I am thinking of getting the Setti with the silver finish rather than the white. Since you have them what is the difference?
Thanks Denis
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Hi
I am thinking of getting the Setti with the silver finish rather than the white. Since you have them what is the difference?
Thanks Denis
All of mine are white. I think the silver is probably good for the Setti, since its a harder light than the the shallow Demi and Euro. It acts like a huge Magnum reflecter, but because its white and big, its softer than a magnum. In silver it should be more efficient with more intense speculars. If you test any of the silvers perhaps you could post some shots?
Love your work, by the way.
Thanks,
T
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All of mine are white. I think the silver is probably good for the Setti, since its a harder light than the the shallow Demi and Euro. It acts like a huge Magnum reflecter, but because its white and big, its softer than a magnum. In silver it should be more efficient with more intense speculars. If you test any of the silvers perhaps you could post some shots?
Love your work, by the way.
Thanks,
T
Hi
Thank you!
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i have a white euro 33 inch and i absolutely love it. so so worth it. its an even core of light without glarey highlights but it defines/shapes subjects really well. its great for portraits of men at 5ft and i dont even need a fill card, it just shapes so well.
i also have speedo 22bd but dont use it much. i have considering spraying it with flat white paint.