Luminous Landscape Forum
Site & Board Matters => About This Site => Topic started by: Mort54 on March 27, 2007, 10:53:20 am
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Michael, you mentioned that the ZD had a user installable/removable A/A filter, and that you didn't have time to compare the two configurations. But you never mentioned which configuration you actually tested. Curious minds want to know :-)
Thanks,
Hans.
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The filter is an extra cost option. The camera comes without the filter.
Sorry, I should have made that clear.
Michael
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Thanks for the review, the ZD is very interesting for the price alone.
One question, how do the Mamiya lenses compare with the Blad ones ?
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One question, how do the Mamiya lenses compare with the Blad ones ?
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David,
Most Mamiya lenses are about half the price of their Hassy equivalent, or slightly more than that.
A notable excpetion is their new 28 mm f4.5 - due to become available in May - that one will be more expensive than the Hassy equivalent.
Besides, at least in Japan where i live, they are readily available second hand, while the Hassy lenses are basically impossible to find anywhere.
Regards,
Bernard
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The mamiya lenses are good. Some are excellent, some not quite as good as the best Hassy or Contax Zeiss. It's a quibble more than anyhting else. Some very fine photographers, such as Charlie Cramer us them for gallery quality fine art landscape work with a P45.
Michael
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Thanks for that..
Might have to borrow a ZD for a shoot and see what it's like..
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Great Scott,
After reading some of the ZD commentary that was released during 06 3rd and 4th quarter, I thought Mamiya was dead, buried, and had kicked the bucket.
Your review really IMO should be titled the ZD resurrection
jj
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The mamiya lenses are good. Some are excellent, some not quite as good as the best Hassy or Contax Zeiss. It's a quibble more than anyhting else. Some very fine photographers, such as Charlie Cramer us them for gallery quality fine art landscape work with a P45.
Michael
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To that, I'd like to add that going back in time, history, even, I used to have a 180mm Sekkor (?) for a TLR Mamiya body and then, when I managed to 'upgrade' to a Hasselblad, the first additional lens I bought was a 150 Sonnar. Well, in my opinion as a user, the Mamiya lens was a far nicer optic, for being that wee bit longer (better perspective for head/shoulder shots) as well as for its bokeh, though none of us knew at the time that that was what it was. (Imagine a winking emoticon here.)
Also, pre-digital, Hasselblad lost out big-time to Mamiya's 6x7 format with lots of top fashion and advertising photographers; I doubt it was all simply to do with format and these are lads to whom money had long ceased to mean anything...
Just a thought - Rob C