Luminous Landscape Forum
Equipment & Techniques => Medium Format / Film / Digital Backs – and Large Sensor Photography => Topic started by: OutdoorsLover on February 04, 2021, 11:16:41 pm
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Since I'm here in the forum asking questions about film, I might as well ask another question about my lens! :D
A while ago I picked up a Canon TS-E 24mm f/3.5L II Tilt-Shift Lens, and played around with it a bit, but never really learned how to use to the extent that I'd like to. Can anyone recommend a book or online course that will really help me come to understand and appreciate the lens?
Cheers
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You could start here
http://www.northlight-images.co.uk/photography-articles-and-reviews/tilt-and-shift-lens-articles-and-reviews/
Keith has a book as well but I'd guess that the articles will probably do the trick.
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You may also find that books about 4x5 large format photography may be useful also as they typically talk about camera movements.
Cheers,
Bernard
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Ansel Adams: "The Camera"
and if you want to learn more, "The Negative" + "The Print".
For me, even in the digital age the best learning books about photography...
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Large Format Nature Photography by Jack Dykinga explains the subject well and provides plenty of examples.
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Hi - I had the same lens and went through exactly where you are! Cambridge University England online has some excellent free resources.
http://www.cambridgeincolour.com/tutorials/tilt-shift-lenses2.htm
http://www.cambridgeincolour.com/tutorials/tilt-shift-lenses1.htm
https://www.youtube.com/watch?v=7_DT8JM0cYc
It's great journey, but can be tricky and rewards persistence :)
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https://www.youtube.com/watch?v=7_DT8JM0cYc
Hi Balafre,
The YouTube video that you shared is in German. Are you aware of anything similar in English, as I have no idea what they're saying? :)
I'd love to see your images that you've shot with your T/S lens(es), if you'd like to share.
Cheers!
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I never took my 24 outside - only ever used it in the studio, mainly for food shots. It was razor sharp, and machined like a decent Zeiss, but I wasn't able to optimise it 1) it vignetted far too soon and too much for my liking, and 2) a little too wide for the work I ended up using it for, and 3) my large fingers found it really frustrating to use the small controls deftly.
Settled instead on a 90 mm Schneider TS Makro Symmar f4.5 which you could get in a Canon EF or Nikon mount. It was sensational - big dials, resolution was 50% higher than the Canon and managed whites and tones so well at times it approximated MF in look. Momentarily fooled some very critical Ad Agency Art Directors!