| (http://echophoto.dnsalias.net/ekr/Articles/Shoots/FourWays/20160312-_DSC4462_vsmall.jpg) | (http://echophoto.dnsalias.net/ekr/Articles/Shoots/FourWays/20160312-_DSC4465_vsmall.jpg) |
| (http://echophoto.dnsalias.net/ekr/Articles/Shoots/FourWays/20160312-_DSC4469-Pano_vsmall.jpg) | (http://echophoto.dnsalias.net/ekr/Articles/Shoots/FourWays/20160312-_DSC4473-Pano_vsmall.jpg) |
Hi,
Here is a comparison of four ways to shoot an image:
http://echophoto.dnsalias.net/ekr/Articles/Shoots/FourWays/
To me the first one looks the most natural.
I am having trouble with all of these. I am not discrediting the way you shot them...but something is just amis. I earn my living shooting buildings and panoramas specifically. All those examples to me look like something went wrong in the stitch, or the camera was not square with the subject to begin with.
I use a tech cam for shifting, I have used shift lenses for shifting and shifted panos, I have a dedicated spherical rig from Rrs that I can make 360 panos with every piece of gear that I have, and I also shoot single images and adjust in post.
Each method is a little different, but you can get solid results it's each as long as each one is treated correctly. The subject matter really guides what I use.
The shots two and three are not straight...was everything level? At your distance from the building, each shot should have looked almost identical except for slight variation overall, but not nearly such extreme differences in the building.
Hi Erik,
Thanks for sharing. The single shot 16mm with software correction has the most natural looking perspective, in my eyes. The stitched results all have somewhat strange looking non-linear perspective distortions, with the 2 image (_DSC4473) TSE24 stitch the most acceptable, but still a bit off.
As a quick try to see what was going on, I reoriented the JPEG version of the TSE 24mm stitch with PTGUI to a strictly 100% keystone corrected frontal look effect (by using only the horizontals and verticals in the image), and there was still a significant (Yaw=0.7598, Pitch=-4.5756, Roll=-0.3147) adjustment necessary (see attached smaller size sample). PTGUI then offers additional control, e.g. adjusting the pitch angle to allow a slight amount of key-stoning (which usually looks more natural to non-architects), or a different vertical compression, or a different projection method. None of these additional tweaks were used in the attached example.
To me, that attached result (before additional tweaks), has a more natural look. The subject is challenging because it is on a hill, and we need a lot of shift to keep things undistorted, which tends to cause a perceptual vertical stretching due to the wide angle of field that is required when using a leveled camera. But the challenging nature of the scene is also a good opportunity to test different approaches.
So as useful as the stitching capability of Lightroom may be, it is (not surprisingly) still no competition for a dedicated Panostitcher, IMHO, due to the lack of control. Of course, the dedicated applications require a different (roundtrip) workflow, which may be acceptable for some, but may not be for others.
Cheers,
Bart
Hi,
These images are not intended to be "beauty contest", mere an illustration of the results from four different techniques. I am a bit of a newcomer to T&S photography.
Sometimes discussions arise if T&S is needed or software correction works as well. There are also some discussions on shift panos vs. rotational panos.
So the idea here was to publish some "food for thought" and possibly start a discussion.
For me it is a learning experience.
Hi,
These images are not intended to be "beauty contest", mere an illustration of the results from four different techniques. I am a bit of a newcomer to T&S photography.
Sometimes discussions arise if T&S is needed or software correction works as well. There are also some discussions on shift panos vs. rotational panos.
So the idea here was to publish some "food for thought" and possibly start a discussion.
For me it is a learning experience.
Best regards
Erik