Luminous Landscape Forum
The Art of Photography => User Critiques => Topic started by: seamus finn on June 25, 2016, 05:42:56 am
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Amusing. What's behind the road sign?
Jeremy
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Good shooting Seamus. An unusual situation for street; a situation where color makes all the difference.
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It sure has ambiguity.
I'm curious about what kind of "regulation" is referred to.
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Jeremy and Eric,
I'm sorry now I didn't work the scene to reveal what's behind the sign - lesson learned. But then again, revealing everything might take away some of the puzzle.
Russ, I'm beginning to get more into colour for 'street', contradicting my long-held and mistaken belief that black and white is the only way for this genre.
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And I just posted "Bowling," which would have lost its kick in B&W.
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It's puzzling and I like it.
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Jeremy and Eric,
I'm sorry now I didn't work the scene to reveal what's behind the sign - lesson learned. But then again, revealing everything might take away some of the puzzle.
Russ, I'm beginning to get more into colour for 'street', contradicting my long-held and mistaken belief that black and white is the only way for this genre.
Be careful, Seamus.
I think that colour takes it out of street and into almost pure graphics, which is not street as per classical understanding of it.
It's part of the attraction - for me - of Saul Leiter, whose b/white I consider pure street, yet his colour not and, instead, delightful abstraction. He started non-religious life as a painter, which he kept up all his many days, and perhaps the sense of abstract graphics was always going to run through, whatever else he did.
I think both disciplines are perfectly possible within the same person, as he proved, but I don't think they are the same thing. I do not see the image in this thread as street at all. To me, it's graphics.
Rob