Luminous Landscape Forum
Raw & Post Processing, Printing => Printing: Printers, Papers and Inks => Topic started by: r010159 on September 07, 2015, 09:52:00 pm
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What are the Epson "Hot Press" and "Cold Press" papers about? I understand that they have a wider gamut compared to their other papers. "Hot" or "Cold"? What does this mean? As an aside, this will cost me to make a profile for this paper. But if it is an exceptional paper, it may be worth it.
Bob
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Hot press bright has a smooth and texture-less surface.
Cold press has a distinctive texture.
Epson's profiles are actually pretty good, though a custom profile would be optimal.
Rand
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You can order a sample pack of the Epson "Signature Worthy" papers, which includes 2 sheets each of the Hot Press Bright & Natural and Cold Press Bright & Natural (Bright has OBAs, while Natural doesn't), along with Exhibition Fiber and Ultra Premium Luster. That is a low cost way of determining whether you like the texture & color of those papers.
-Scott
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Think "hot press" as in ironing a shirt - resulting in a smooth texture. Cold press is your wrinkled shirt.
I love Hot Press Natural. Excellent blacks. It's my go-to matte paper.
I like Hot Press Bright, as well, but because of its use of OBA's I tend to use it sparingly.
The Cold Press papers are nice, except that the texture is a bit too consistent for my taste. I prefer the more random textures one see's with mould-made papers. That said, Cold Press Natural is a pretty decent proofing paper upstream of the much more expensive Awagami Washi papers.
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I'd like them to make a 'not so Bright'. I find the Bright too bright and Natural too off-white.
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I love Hot Press Natural. Excellent blacks. It's my go-to matte paper.
+1
And although just a matte paper, it really displays well under glass. No need for a custom profile as Epson's are quite good (depends on which printer you have though).
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I'd like them to make a 'not so Bright'. I find the Bright too bright and Natural too off-white.
I don't use matte papers very often, but I use the Hot Press Natural specifically when I want a nice warm white point. It can also be nice for black and white work that would otherwise be too stark. It gives images a more mellow feel, for lack of a better word. I haven't used Hot Press Bright. I often instead end up using a baryta paper like Ilford GFS, or once in a blue moon Canson Platine, though the Platine surface has too much texture for me most of the time.