Luminous Landscape Forum
Equipment & Techniques => Cameras, Lenses and Shooting gear => Topic started by: haring on February 18, 2011, 03:11:25 pm
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Which Mamiya macro lens should I buy? I would like to use it for product photography.
I have a Mamiya AFD 645 III camera so the latest Phase One LS lenses are out of question.
Thanks!
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Hi. I got kicked off another forum re my answers on a similar thread begun by you, so keep your fingers crossed!
Three parts to this:
Mamiya 120mm f4 Macro in various models (superb lens by all accounts—never used one)
All to date are Manual Focus; older lenses with an aperture ring are MA*, newer units without aperture ring are Auto Aperture/stop down on your AFDIII.
Mamiya 80mm f4 Macro MF/MA on AFD models (excellent—I have one). Gets to 1:1 with extension tube. Floating elements for close-range correction.
Large format lens or enlarger lens on Mamiya 645 bellows
This is the most versatile and flexible alternative if you can find a Mamiya bellows with movements (645 Bellows N)—then you can use tilt/swing and rise/fall to control depth of field and perspective respectively, just as you would with a large-format view camera.
*MA means manual aperture and stop-down. Not good for, say, candids at weddings, but fine for a non-moving still life.
HTH
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M645 bellows B&H (http://www.bhphotovideo.com/c/product/33492-REG/Mamiya_210_240_Auto_Bellows_N_645.html)
(http://www.bhphotovideo.com/images/images345x345/33492.jpg)
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eBay ad for Mamiya Bellows kit (http://cgi.ebay.com.au/Mamiya-645-Auto-Bellows-Canon-EOS-adapter-RARE-Lens-/290538086019?pt=Camera_Lenses&hash=item43a56b5e83#ht_50143wt_1141)
The 135mm lens looks as though it has white spots in it, possibly explaining the low contrast of the sample shots, way down the bottom of the posting!.
A Componon should do a lot better than this, particularly at close distances.
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The 120mm macro is stellar, it's a no-brainer.
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I like choice.