"It's 255, 255, 255 on my monitor in Photoshop. That's not grey."
And since when did how things appear on "your" monitor have anything to do with reality?
You are looking at a highly compressed 8 bit JPG, optimized for web display. At that size the alien mothership could be hovering over the distant mountain and you'd never see it.
The point is that on that day nature served up a featureless sky. 0-0-0 or 250-250-250 makes little difference. In my view raising this discussion is nothing more than a quibble.
Michael
Well, I must say that I'm rather amazed at the response to my initial comment. Let me first assert that I have no agenda to attack Kevin. I'm merely expressing a genuine and honest impression of his recent photo. Anyone who's familiar with my many posts on this site would realize that I'm not into ad hominem attacks.
The point is that on that day nature served up a featureless sky. 0-0-0 or 250-250-250 makes little difference. In my view raising this discussion is nothing more than a quibble.
Michael, I would say that from the point of view of the average person, most of the discussions on LL are of the nature of quibbles. Is one lens slightly sharper than another? Does one camera produce slightly less noise than another, at the same ISO? etc. etc.
Surely, all of us on LL are concerned with achieving the best results possible, both technically and artistically.
If Kevin's full image, in its original size and color profile, shows a truly grey sky with nicely contrasting greenery on the hill (I find grey skies and green foliage a very attractive match), then I apologize.
Perhaps it's time for a feature article on your site explaining how to process images for display on the internet that retain the essential features of tonality, contrast and color that are apparent on the full scale image.