A completely false distinction. Without joy in the tool there is no worthwhile image.
So many people here explained to me at some point that leading brand XXXX MF camera bodies are more than good enough, and my frustration personal, that I ended up understanding that for a great many photographers the camera is just a cold inert tool, and their view is that you can use any log to make a fire, provided you bring your own skill to bear.
Frankly, as usability goes, the camera I have liked using most is the iPad, perfect viewfinder, you see what you get, and get what you see. It is no surprise that it is made by a company that lived or died by print WYSIWYG and desktop publishing for many years. Not the best images, but a great user experience. I have owned a great many cameras, but I find it interesting that the most ergonomic one is a function of an object that I only accidentally realized contains a camera and storage that can feed its display.
In the end, I think I should thank Synn because reflecting on his posts has taught me that for me as a mediocre photographer it will require exactly the same energy to take a few thousand pictures a year with a mediocre camera and postprocess them, as it would take to locate a better but still affordable solution.
I guess I should thank Erik for reminding me that if you push a fractal object of nature through any imaging system, at some scale the image will surely break.
Also, I guess I should thank the artist who posts by the name of Cooter for helping me realize that it is mostly easier to just think of the image and invent a look and redo color to made-up taste in post, rather than to measure color over and over again and try to force a profile through software that fights you at every step.
And finally, on contemplating my own prints on the wall, I have realized that if you fail to get the pictures you want, you can still live with the ones you did get. For that realization, I guess I should thank Father Time
Edmund