I am sorry I had to make so many posts on the impossibility of using MS in the field. I have tried it my self when I first got my 528c and did the same as Brent suggests, shoot a single shot image along it and try to replace the parts that were obvious that have movement. The thing is, that you end up with an image that has no detail difference than if shot in single-shot, nor you get any colour benefit. It simply isn't the same as sooting an interior scene of a building where you have some windows with curtains and you only replace the window part... It's a total mesh what you get, there is practically blur spread all over the scene.
Back to the original question though, I would much agree with Edna's suggestion that a Monolith-2 or an Ultima would be the best choice with the lenses he suggested. However, my opinion still remains that both those cameras are better used with lower resolution backs with larger pixels, even if the lenses are capable to work with a 6μm pixel size back, there will still be better performance when movements are involved and more movement tolerance in addition.
OTOH, with the cost involved (especially of the monolith) and if MS is out of the question, why one should not consider adding the new Cambo Actus along with a Sony A7 to his system? He may then use Mamiya 645 Pro lenses (or some other MF of 6x6 image size) which are dirt cheap and because the lens mounts at larger distance from the image area there shouldn't be any problem with the small pixels of the 36mp sensor. Additionally, I suspect that the Samyang 24mm f3.5 P/C lens has enough image circle to solve the wider angle that one may need. Same should apply for the old Nikkors 35mm P/C & 28mm P/C which are very sharp lenses. Such a solution would add the valuable contribution of LV to the equation and would save much space and time, still giving superb results.
