Sometimes I think when I go over past imagery, I am usually bias. Maybe it's nostalgia, maybe just because I had more time to work back then, but it's difficult to get a true comparison, except:
We have one on figure fashion project that we have shot essentially the same products, though the product and talent changes, including the lighting and some of the creative brief, the essential concept is usually the same.
We've shot this year to year with the kodak dcs 760, 1ds, 1ds2, 1ds3, aptus 22, p30, p21, 1dx, and Leica S2.
A month or so ago I was on the server and all our selects from this client are in one folder so it's easy to compare and I put all the Canon selects in DPP, the Aptus selects in Adobe camera raw, the phase p30 selects in C-1 and the Leica S2 in lightroom because those are the processors that each respective makers recommend.
If I had to pick the best look, not the most detailed, easy to use, not doing a DR, pixel peeping contest, just comparing out of camera looks with slight tweaks, the overall best looks are:
1. Original 1ds, 2. Aptus 22, 3+4 tied P20+ and 5 Leica S2. (The kodak dcs 760 files were very pretty, but at 6mpx lacked the detail needed for this project, but had Kodak continued with this camera to around 11 to 18mpx I'd probably still be using it).
The medium format files are easy to judge because they all were shot with contax Zeiss lenses.
The first 1ds was really pretty, don't know the technical reasons why, just know that the skin tones were even and rich, the product (jeans wear) looked great, the rhythm and flow of the shoot was more natural.
Unlike all the other cameras, including the canons and the S2 the first 1ds files were never over saturated or heavy in the red bias.
The Aptus 22, though different was very pretty, though moire was a real issue. The P30+, just rocks on then and still does.
The Leica, out of the can with stock lightroom settings is grim, with special calibration applied is very nice, though I wouldn't say it's any better than the older p30+.
The only issue with C-1 is it's very crunchy sharp out of the can and I guess cause Phase has always dialed in a lot of over sharpening, taken down and working some calibration the p30+ files are the richest of all.
BTW: Never try S2 files in C-1 as it's so far off in profiles it takes a lot of work to get back to what was viewed on set.
What's funny is the original 1ds is the only camera we didn't tether, we shot to cards and had the client view the project on a half session basis. I think this is why the flow of the shoot was more natural as there was less "input" as we worked.
IMO
BC