I'm teetering on the verge of picking up a Contax 35mm Shifter (Zeiss glass of course). They run around $2k on eBay and are reportedly exceptional.
Hi Chris,
I can confirm that the PC-Distagon 35mm is excellent. It's great on 5Ds and on the 36MP-sensor of the A7R it shines - even in the last pixel of the shifted corners. The PC-Distagon handles a bit different than the TS-Es - but quite simple and intuitive. It has no tilt so it might not serve everybody's needs. On the A7R I use it with a novoflex adapter. I didn't find any problems with internal reflections (as with the metabones adapter).
PC-Distagon 35mm compared to Hartblei 40mm:
Before I bought a used PC-Distagon last year I had used a Hartblei 40mm for my architectural work. The Hartblei is great too. But for me it had some drawbacks: The Hartblei 40mm it is extremely large and heavy (about 1.500gr which is about twice as much as the PC-Distagon). Using shift on the Hartblei is counter-intuitive for me - especially when switching between Canons TS-Es and the Hartblei. Because of it's weight you mount the lens on the tripod. Some might like that for parallax-free stitching. But changing the direction of shift (from up to down or to left/right/diagonal) means rotating lens and camera in the lens collar and then rotate camera versus lens. For me it took a lot of time to do this without having to think about it. Under time pressure on paid jobs I rarely decided to take the time to use the Hartblei. For interiors I often felt that 40mm is just a bit too long. So after 1 1/2 years of carrying it around on paid jobs I counted that only about 2% of the images I sent to the cusomers were taken with the Hartblei. Not because of image quality. Just because of weight and handling. And that lens costs a fortune. After selling it and buying the used PC-Distagon I had a lot of money left.
I compared the PC-Distagon to the TS-E 24 II with Canon 1.4 Extender III too. But that is a different league. The TS-E+Extender-combination is much worse. I didn't have the opportunity to compare against the pentax lenses on mirex adapter.
Tests images:
I can only provide a test I did last year on 5DIII. I don't own the Hartblei any more. But with the PC-Distagon on A7R I get excellent results too.
The following images were taken at f11 with full shift. 10 minutes time between them. Captured in RAW, converted in lightroom, white balance and sharpening identical. Crops are at 100 percent.
1. Resolution at f11: In my eyes they are both excellent. You have to look a long time to see differences in sharpness.
2. Resolution at f8: for unshifted images f8 is about equal to f11 on both lenses. Shifted corners improve clearly at f11.
3. Resolution at larger apertures and bokeh: below f8 the Hartblei is clearly better in the image centre. If has a beautiful bokeh. But for my architectural work this is not relevant.
4. Distortion: there are obvious differences in the kind of distortion. Both cannot be used uncorrected for architecture. For the Hartblei I shot dozens of calibration charts with adobe lens profile creator just to get corrections for rise and fall. When you combine rise/fall with shifting right or left (which I do sometimes) you need even more calibration shots. For the PC-Distagon there is a profile for the free Alpa plugin for photoshop. If you have noted (or can reconstruct) how much shift in which directions you used - the result is perfect.
Sadly Zeiss in Germany doesn't do any repairs on this lens any more. But there is a very capable repair service in Germany (Foto Wiese in Hamburg). They overhauled the shift mechanism of my sample and it works like new now.
I hope that helps in the discussion about shift-options in the 35mm-range. I don't understand why nobody makes a 35mm shift-lens any more. It used to be a standard for a long time. Sometimes 24mm is just too wide for interiors and 45mm is too long. Would be great if Canon would add a new 35 to their lineup.
Marc