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Author Topic: Learning to Mount & Frame Fine Art Photos  (Read 9437 times)

Kit-V

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Learning to Mount & Frame Fine Art Photos
« on: January 24, 2014, 03:46:02 pm »

As a photographer addicted to learning, I am interested in mounting & framing my own images. This will be exclusively for displaying in my home. Nevertheless, I want to learn to do museum- & gallery-quality work. Can someone suggest some authoritative reference  sources (i.e. books, tutorials, etc.) in this field?

Thank you kindly.

Kit
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Isaac

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #1 on: January 24, 2014, 06:47:18 pm »

fwiw How to Hang a Picture

Also try Google with "site or domain" in Advanced Search set to http://www.luminous-landscape.com/forum I seem to recall framing has been discussed before.
« Last Edit: January 24, 2014, 06:50:34 pm by Isaac »
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Kit-V

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #2 on: January 24, 2014, 09:18:40 pm »

Thank you, Isaac. I will follow up.

Kit
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Christoph C. Feldhaim

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #3 on: January 25, 2014, 06:51:38 am »

You might want to check from the LuLa video "Camera to print & screen" the section where Michael and Jeff demonstrate matting and framing a print.

Utah

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #4 on: January 29, 2014, 09:03:04 pm »

Here are two sources that are industry standards for archival Mounting and framing--A good place to start.

1: The Library of Professional Picture Framing
     FRAMING Photography Vol 6
     Alan R. Lamb, CPF
2:The Library of Professional Picture Framing
     Mounting Methods Volume 5
     Vivian C. Kistler, CPF, GCF

There are many other sources on the Internet as well--Good Luck!
Frank (Utah)
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Kit-V

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #5 on: January 29, 2014, 10:40:03 pm »

Thank you, Frank. Much appreciated.

Kit
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bill t.

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #6 on: January 30, 2014, 01:15:16 am »

A good use of a Saturday is to spend some time at galleries specializing in photography, paying special attention to how the images are framed, lighted, and presented.

You'll see a lot of matted prints in black, aluminum sectional frames.  Those frames are sometimes regarded as temporary. Many buyers will upgrade the frames, while keeping the mattes.  The usual upgrade is to 1.25 x 1.25 inch square, matte black moulding.  In Santa Fe I am starting to see a lot of flat 2 inch wide, rather flat moulding with a gentle scooped out shape slightly thinner near the matte than at the edge.  Those often have a slight wood texture visible within the ebony black finish.  Andrew Smith Gallery has been using those.  I think you can't even buy those frames, you walk away with a matted print only.

I frame my mounted, coated canvases without glass or any other covering and without mattes, in mostly 3 to 5 inch wide frames.  The frame styles range from classic to contemporary and are chosen to work with the character of the particular image.  Purists roll their eyes heavenward.  But the public eats those up and that's who I serve.
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dgberg

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #7 on: January 30, 2014, 06:51:59 am »

Bill,
What type of underpinner are you using for your wide frames?
I am in the market for a new one.
Thanks


Sorry for the sidetrack no intent to hijack.

bill t.

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #8 on: January 30, 2014, 12:45:28 pm »

The problems with underpinners in these modern times is there are now a lot more hardwood mouldings than when those things were designed.  Nailing those mouldings with fairly dainty underpinners and too-small v-nails can often leave something to be desired in terms of getting the nails in at all, much less stacking up the 2 or 3 nails you often need to cover the depth.

Another problem is that the butt joints used for frames are the weakest possibly glue joints you can make.  I doubt if that's news to a veteran wood worker like you!  Those long frame sections will go through a lot of shrinking and warping around during their lifetimes, and it's pretty much a given that within a few years those weak glue butt joints will break.

For really big and especially hardwood mouldings, "Tite Joint" fasteners will hold your frame together long after the glue is history.  Counter top suppliers have them, there are several different types.  You can build a router table jig to clamp the frame from the top registered to the miter cut, then plunge the router up from underneath to dig the big hole, then a secondary small cut for the cross channel.  Not so hard with the right jigs.  There's enough wiggle there so you can manually line up the pieces as the glue is setting, then torque it down.  Not sure the biscuits are a good idea, too hard to register in the first place.  Also a great way install frames too big to move into an installation space assembled, you also would stretch the canvas on site.

http://www.bizier.com/e/html/wood_countertops.html  down towards the bottom of the page

http://www.louisandcompany.com/storefront/fasteners-assembly-fittings/other-fasteners/tite-joint-fasteners/prodKV516...100.html

Another option is a tumbnailer, worrisome though the name is.

http://www.youtube.com/watch?v=dmtRAB3S_Sg

That's the hardwood solution for a lot of framers.  I'm not thrilled with the plastic inserts, and would not want to do that on a huge frame.

I do a lot of polystyrene frames on the truly huge sizes, say starting with about 7 feet wide.  They weight almost nothing, even with my bad back I can carry a 51 x 104" framed piece by myself, and I often do.  Most poly mouldings look like crap, or at least like refugees from the Victorian Era, but there are a few that are positively handsome on the wall and I have never had a complaint.  For poly, your strongest joint is to use Loctite "Ultra Control Gel" from Lowes or Home Depot, expensive though it is.  Exceptionally strong joints.  Poly takes a lot of practice.  Use TCG blades to cut, use very fast (even karate-like!) chops, and you must exercise superb control of the glue which can melt the surface of the moulding in seconds if you get sloppy.  Hint...don't get that stuff on your fingers!  Do NOT underpin poly moulding, that will create tiny fractures that will greatly weaken the otherwise very strong glue-only joint!  The trick is make perfect miter cuts to start with, which means a very well calibrated miter cutting system, a sharp blade, and a few tricks.

Edit...and there is a lot of skill and tricks involved with joining those poly frames by holding the pieces together with your hands for between 45 and 90 seconds.  Just pressing them together flat on the table is not good enough, you need to be 100% sure you've got almost 100% contact of both surfaces.  I got pretty good at that after the first 1000 frames.

Probably a good idea to bring this up on thegrumble.com where you will get a lot of good current opinions.  That's where I learned about the Tite Joint things long ago, and was that ever a help.

FWIW, I believe the strongest v-nailers are named something like "Euro-nailers."  They'll know of the thegrumble.





« Last Edit: January 30, 2014, 12:50:52 pm by bill t. »
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dgberg

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Re: Learning to Mount & Frame Fine Art Photos
« Reply #9 on: January 30, 2014, 02:03:03 pm »

Thanks Bill,Good stuff.
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