Good eye on the palm tree, Bruce. I'd like to have had a tad more tail light, but unfortunately, these things unfold so rapidly there's little time to more than zoom and compose to the general framing. I like the overlapping rectangular shapes (car, billboard, building) and the way the curve of the lamp standard is picked up in the curve of the car hatch. Plus the way it worked out with crossing diagonals with the billboard in the center. Russ, I think I see the Parr-ish quality you have mentioned. Thanks for the comments.
