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Author Topic: Re: Recent Professional Works 2  (Read 435348 times)

ACH DIGITAL

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Re: Recent Professional Works 2
« Reply #1300 on: April 12, 2014, 07:26:24 PM »

Needless to say, lost of good work showing in these posts.
Here some more from Nacho's apartment.



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Antonio Chagin
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eronald

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Re: Re: Recent Professional Works 2
« Reply #1301 on: April 12, 2014, 10:23:36 PM »

You have to have a nose* for such things  ;D


*Idiom dictionary: Fig. to have the ability to sense or find something, such as news, trouble, gossip, etc.

Slobodan,

Serve me right for my snotty remark :)


ACH,

 Very nice take on the geometrical motifs, with the 45 degree perspective. The image almost looks like a poster :)

Edmund

« Last Edit: April 12, 2014, 10:25:23 PM by eronald »
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MichaelEzra

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Re: Recent Professional Works 2
« Reply #1302 on: April 12, 2014, 11:07:37 PM »

Just wanted to share this view from recent stay in Mexico where I relaxed from everything professional:)


3 frame stitch with Nex-5R and Sigma DN 60mm
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ErikKaffehr

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Re: Recent Professional Works 2
« Reply #1303 on: April 13, 2014, 02:21:23 AM »

Hi,

Nice image and nicely processed. How did you get rid of those levitated ladies?

Best regards
Erik

Just wanted to share this view from recent stay in Mexico where I relaxed from everything professional:)


3 frame stitch with Nex-5R and Sigma DN 60mm

ErikKaffehr

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Re: Recent Professional Works 2
« Reply #1304 on: April 13, 2014, 02:27:38 AM »

Hi,

I like it, a lot.

No issue with nostrils…

Best regards
Erik


Hello,

Olympus 50mm F1.4 MF lens on a Nikon D800E

Cheers

Simon

ErikKaffehr

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Re: Recent Professional Works 2
« Reply #1305 on: April 13, 2014, 02:29:39 AM »

Interesting stuff, well done!

Best regards
Erik
2014 volvo XC60 D5 awd for magazine

SecondFocus

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Re: Recent Professional Works 2
« Reply #1306 on: April 13, 2014, 11:18:59 AM »

Just wonderful!

As much as I would like to give the photographer all of the credit for great work; I am sure liking the skin tones coming out of that Leica S2. Is that what I am seeing?

Leica S2, Bron 575 HMI



BC
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ACH DIGITAL

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Re: Recent Professional Works 2
« Reply #1307 on: April 13, 2014, 03:23:08 PM »

Excellent BC I like everything about the image, the girl and the makeup!
ACH
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MichaelEzra

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Re: Recent Professional Works 2
« Reply #1308 on: April 13, 2014, 03:30:07 PM »

Leica S2, Bron 575 HMI
BC
Adorable picture:)
Tooth seems like a minor distraction.
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eronald

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Re: Recent Professional Works 2
« Reply #1309 on: April 13, 2014, 03:54:45 PM »

Adorable picture:)
Tooth seems like a minor distraction.

A tiny imperfection enhances a nice image :)

Edmund
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Slobodan Blagojevic

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Re: Re: Recent Professional Works 2
« Reply #1310 on: April 13, 2014, 04:08:52 PM »

Teeth, nostrils... Invasion of the Body Nitpickers? ;)

eronald

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Re: Re: Recent Professional Works 2
« Reply #1311 on: April 13, 2014, 04:10:49 PM »

Teeth, nostrils... Invasion of the Body Nitpickers? ;)

What?  another lousy joke? ;)
Cooter is still debugging his new camera ...

Nice assets, nicely wrapped, well presented :)

Edmund
« Last Edit: April 13, 2014, 04:14:39 PM by eronald »
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bcooter

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Re: Recent Professional Works 2
« Reply #1312 on: April 13, 2014, 04:20:50 PM »

Just wonderful!

As much as I would like to give the photographer all of the credit for great work; I am sure liking the skin tones coming out of that Leica S2. Is that what I am seeing?


I read this article http://www.digipixelpop.com/?p=897  go to the last paragraph and I'm so down with this.

I think most cmos is just thin and/or too smooth or something that looks like something I did't expect.  Anyway other feel different, it's now a cmos world with a trillion iso, though those things really don't concern me as I've worked at 800 iso and below my whole career.

Anyway, yes I think the S2 gives me the "base" to make a film look and I like the s--t out of the camera and I would imagine the next leica I buy will buy a ccd, though I will test the newest Leica when it comes out.

From the dcs 760, to my phase backs to the Leica, the most film like look I've ever seen is from the old aptus 22 though all the ccd cameras give a color reception that allows you to keep or toss what you want.

This is still my favorite series from the aptus and contax and boris tilt shift.


Of CMOS I like the first 1ds, though the center was thin, the the RED 1 looks film like and the small olympus em-5 (not 1) has an interesting look.

But I'm curious what is anyone going to do with 400,000 iso?   chase the cat around their flat in the dark?

IMO

BC

« Last Edit: April 13, 2014, 05:18:54 PM by bcooter »
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eronald

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Re: Recent Professional Works 2
« Reply #1313 on: April 13, 2014, 05:26:32 PM »

J,

 I'm starting to think that the CCD to Cmos controversy actually may have something to it; which doesn't mean that CMOS will not in due course become better. I've looked at some of my old Nikon D1x images, and they were kind of interesting, had good skin tone.

 Regarding ISO, you know, when you're doing available light in this city 1600 is probably the strict minimum to use a camera handheld, in the late afternoon. My 1Ds3 is always at the limit of its abilities. I have a D4 that can at least in theory do better ISO, but I'm not happy with it, it's going to be sold soon. The 1Ds3, whatever its limitations performs wonderfully as long as you are inside its envelope.

 There is a lot of room for better high ISO; here is ISO 52000, 1/30s F1.4 from my Nikon D4;  this is within the designated usage of this camera, but go up over 3200 ISO, and you steadily loose color quality, sharpness and resolution until you are left with a postage stamp :)  if you ask me there is a lot of room for Nikon to raise their quality to marketing ratio, frankly I would recommend people just go straight to the D800 or Sony equivalent, although I did make a bunch of interesting images @6400.
 
Edmund


But I'm curious what is anyone going to do with 400,000 iso?   chase the cat around their flat in the dark?

IMO

BC


« Last Edit: April 13, 2014, 06:08:03 PM by eronald »
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bcooter

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Re: Recent Professional Works 2
« Reply #1314 on: April 14, 2014, 06:53:12 AM »


 I'm starting to think that the CCD to Cmos controversy actually



There's no controversy about cmos vs ccd.

Nobody in the west wing is holding meetings ad governments in any country aren't planning hearings.

First we had film, ccd's mimicked film, in other words they needed light, sometimes a tripod, nearly always some planning, but they were just the digital equivalent of a film capture.

Then CMOS because they could stuff more electronics on the chip, in smaller camera and  it was cheaper, could evolve to higher iso, for the people that didn't want a world of lighting or crafted images.

They just wanted to shoot at film speeds that would work anywhere, but mostly cmos was cheaper ad offered more in the way of services, i.e. live view and video.

IMO

BC
« Last Edit: April 14, 2014, 01:03:07 PM by bcooter »
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araucaria

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Re: Recent Professional Works 2
« Reply #1315 on: April 14, 2014, 03:19:23 PM »

Hello,

Olympus 50mm F1.4 MF lens on a Nikon D800E

Cheers

Simon
Did you modify the lens or how are youmadapting it to a nikon?

I have been reading this topic for a while and there is a lot of great work!
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HarperPhotos

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Re: Recent Professional Works 2
« Reply #1316 on: April 14, 2014, 06:24:08 PM »

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KLaban

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Re: Recent Professional Works 2
« Reply #1317 on: April 18, 2014, 05:16:16 AM »

the see see dee version

There's another?
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peterv

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Re: Recent Professional Works 2
« Reply #1318 on: April 18, 2014, 05:41:44 AM »

BC, Beautiful, very nice color separation.
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SecondFocus

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Re: Recent Professional Works 2
« Reply #1319 on: April 18, 2014, 09:00:12 PM »

Sure liking that "see see dee". Gotta get me some!

Leica S2 the see see dee version


BC
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