Nice. The local contrast might be pushed a little hard for my taste, the guy's shirt feels a trifle overcooked and distracting.
This feels to me like it falls in that zone between street and portraiture, which I consider a pretty narrow zone. Both give us an instant of humanity, with enough material and ambiguity to paint our own narrative on to. This one doesn't have enough sense of an unfolding event to feel truly "street" but the fact that the man is seemingly unaware makes it not really a portrait either.
Whatever it is, the guy is great, and it's a fine image.
This business of "stick the guy in one half of the frame, and an echoed shape related to the guy in the other half" (note the curve of the hat bill, and the curve on the back of the chair) is something I picked up on literally yesterday in a handful of HCB portraits that were in a thing I was reading. It's effective as hell.