I'll bite with some constructive criticism.
Aside from the sweet expression, the picture doesn't work. As a snap shot of a moment, personal to you, its probably great. But . . .
Why doesn't the photo work? Composition is confused, incomplete, cluttered. The background is cluttered, the forground is cluttered, which is distracting to say the least. There are no interesting forms in the photo, the form I want to see are her intertwined arms, without the empty and dirty glasses in the forground, without the tilted lampshade in the background. The negative space of the windows is also distracting from, rather than balancing, the composition. I look at her arms and the beauty of their form is cut off.
I would suggest you look at great photos, in a book, in a museum. Look at mid century photographers using 6x6 format, like Avedon, Vivianne Mayer, and countless others. Look at Bresson's street work. Look at how they composed their frames, how uncluttered they are, how they allow the subject breathing room, how simple they are. Then go shoot, and shoot, and shoot.
Bresson said your first 10,000 photographs are your worst photographs. So get out there and shoot, and think, and evluate your work objectively.
