Atmospheric perspective in #2 and #3 is unusually good, and I agree with Josh: #2 is a standout. But I'll vote for #3. Look at the diagonal made by the slant of that feral bonsai tree that escaped from captivity and grew. Look at the diagonals made by the hillsides. They all point to the sharply rendered surfer. The whole thing is unusually good composition. Bravo, Bernard!