The short answer: that is the 'tool', there is no where else to adjust image size than where you determine the output size at the time of processing.
The long answer:
There are no "fixed pixels" while you work/edit/adjust on images in Capture One. The pixels are only created in a "fixed" manner upon processing them into a TIFF or JPG. For this reason the quality of enlarging the file up to around 200% (twice the stated size) is often best done at the processing stage in Capture One vs. processing it at 100% and enlarging elsewhere.
However, Capture One is not an "Image Enlarging" software. These programs are not looking to extract the most detail, they are instead looking to best trick the eye into feeling good about the way an image looks when blown up significantly past it's native size. They do a great job of it, and because it's a subjective thing (do you prefer smoother gradations that look better further away or the introduction of noise to produce false-detail that can hold up under closer viewing) and also depends on the subject matter (does the image contain a lot of fine texture or more straight/prominent lines) there are perfectly justifiable opinions that X, Y, or Z programs (blow up, s-spline, GF etc etc) is the "best" software for this purpose.
So generally speaking my suggestion is if 200% of the original resolution is enough then stick with a C1 only workflow. If more than 200% of the original resolution is required, or if this is an enormously important print that justifies spending a lot more time for a slight bit more quality, then you'll need to look into an "Image Enlarging" software.
If using a dedicated image enlarger I strongly suggest reducing or disabling sharpening at the raw processing stage.
For the record I've found the 200% processing from C1 is significantly more refined the 200% processing from Adobe Camera Raw or LR. So if someone has only tried upscaling from LR or ACR I'd encourage them not to assume that all raw processors are equal when upscaling.
Doug Peterson
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