I was initially excited about this lens but on paper it seems apparently no sharper than the venerable 55mm Rodenstock Apo-Sironar Digital.
But if the MTF chart suggests that it's no sharper than the Rodenstock, then doesn't that suggest that it's at least as good?
Granted the Rodenstock has a bigger image circle than the Schneider (125mm vs 120mm), which as far as I know is one of the few Rodenstocks with a larger IC than a comparable Schneider.
Obviously proper testing would be the ultimate arbiter but this barely seems to be done with digital large-format lenses.
I know what you mean. Seems like we have to purchase these lenses on reputation and a little bit of faith. There is some information out there, but it's pretty disjointed and sometimes of questionable reliability. Given that these lenses are so expensive and in such limited circulation, it's not as if a single individual can order matching Rodenstocks and Schneiders on the internet, post test results on their blog and return the ones they don't like.
I ordered the Schneider 60mm because I had already decided on the 43mm XL and I have a completely non-justifiable personal preference for building a lens set from a single manufacturer.
Going off-topic for a bit, I'm a firm believer that we are spoiled for quality in this day and age. i.e. Today's equipment will generally perform acceptably well within it's own inherent limitations, unless defective. I reacquainted myself with one of my Atget books this weekend, and pixel peepers would have a heart attack looking at the "quality" of his images compared to what is achievable with today's equipment. Yet, Atget's reputation lives on and his work is still printed and in circulation because his work was truly great. And, yes, I acknowledge he was pushing the technical boundaries of the time (a constant theme in photography), but I would argue that that's not the primary reason his work has survived.
P.S. This may seem silly, but I think some of the Rodenstocks look more "serious" because of their size.