Fred, we agree and I envy you for your life without TV. My family doesn't allow me to throw it away
James Russell, the photo and the movie - wow! Very very authentic, touching, breath-taking. Feels like being there. Having known a former car racer personally who dissapeared the way everyone had feared, I'm not a fan anymore. In my eyes it simply wasn't worth not seing his son grow up. But this movie gives me a little idea, what fascinated him.
Keith - I love my car and won't buy a new one for hopefully many years.
Rob - my personal fascination for a camera is satisfied by my collection of photographica. I admire these old ladies and they're true eye-openers concerning what determines value in our society. The still perfectly working 70-year old robust working lady with a great lense is only worth 1% of what you have to pay for a bitch with pink bellows, a tiny no-name piece of glass (or plastic) whose still intact exterior is due to the fact she never was used for what she should have been created for. Or 10% of a lense cap, if Leica is printed on it.
As much as I share your fascination about the tactile aspects of using film, I'm glad you're aware of the time-pressure. Film starts with finding the dealer who delivers fresh chemistry, figuring out the chemistry that is likely to last for a few more years. I grew up in the world of Polaroid, Velvia et al - don't want to spread more tears. Those days are gone and what remains is only an option for a (quite expensive) hobby. Maybe when I'm retired. Right now I'm looking for a working horse delivering a certain image quality, headlines: tonal range & bokeh.
Ray and Ray, (just realized, there are two of you) thank you, now I remember. On a technical point of view it makes sense to adjust FL when comparing camera systems. Please correct me if I'm wrong and my lazy brain just wants to avoid more complicated calculations. Most of my portraits must be shot so that you can crop either vertical, square or horizontal format. Resolution has reached a level where I don't compare but say 'enough is enough'. If I'm satisfied with the EOS 5D, there'll be no troubles to expect with a MFD. After inspecting
this comparison I'd relax concerning the noise issue. It leaves me unhappy nevertheless. Why don't they answer the question about the f-stop? They can't claim "more depth to image" for the Hasselblad without declaring at which aperture the compared photos were shot. I'm not familiar with the lenses, if I were to inspect two different shots taken by myself, I'd take a side note to shoot at f2.8 next time with the EOS. Which makes me agree with Ray Not-Ondebanks:
Such comparisons are meaningless. (Well, perhaps not entirely meaningless. One might deduce that the photographer making such comparisons is either careless and technically incompetent, or is trying to be deliberately deceptive. There's meaning in that.)
Right now I'm not sure whether the tonal range and bokeh I thought I had noticed are subject to similar tactics. But no, my analog ladies told me so long time ago.
Back to lenses and my wish to avoid complicated calculations and/or testing the entire lens range and ruining my eyes with pixel-counting. As resolution is not my major concern, the diagonal is not as relevant for my personal purposes. If I want a lense equivalent to my 100mm on a FF 35mm with regards of the result and don't care how much I have to cut (by cropping), isn't it the limiting (shorter side) of the new back (not the camera) that I have to divide by the 2,4 cm available in 35mm? And then multiply with the 100mm I'm used to?
Because in general the lenses will have a longer focal length, I'll have to shoot at let's say f4,5 when I used to shoot at f2.8. No need to exactly calculate this, I will figure it out in practice. But is the tendency correct?