Hi Bill
Unfortunate that the topic on the S2 was clamped at the point that it was, but so be it; I just wanted to say to you here that I do not consider myself in disagreement with you at all about the importance of the accuracy of the alignments of the mirror and sensor/film planes, just that as far as the discussion about auto-focussing goes, the problems discussed lie in the front mechanics/electronics and are separate things to the other battles going on behind the lenses and one has to accept them as such. But of course, both ends of the candle shrink during the burn.
Rob C
I could not agree more.
There is a paradox in those systems in the sense that one big part of the equation is not taken into account wich is the sensor plane. I don't stress on purpose the film plane because this is less of an issue, digital exacerbates the focussing.
As Rob point, we have 2 separate "blocks" that have minimum communication between them. As for the mirror, until they don't find a way to implement properlly an electronic viewfinder that I think it is the future (of course if the viewfinder has the required resolution to display with accuracy), the mirror will always be a wick part of the all machinery (without talking about the noise and vibrations).
I've been asking many times about the reason of this CCD limitations nowdays to a point that you have noticed my complete unawareness when it comes to engineering specs, and I assume it; but still I don't feel the question has been completly answered. Why then some compact cameras are using CCD without problem?
http://www.luminous-landscape.com/reviews/...s/sam-ex1.shtml.
If they can make sensors that shake, why can't they make sensors that would move on the plane in a dialog with the lens? + the viewfinder in an ideal world.
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That said, unless you are doing fast shooting like fashion, sports etc...I think that this focussing debate is completly over exagerate. Now people want car that drive for them, and when the car systems will stop working they will stand like stupid because they forgotten how to take a curve properlly.
Another reflection is that some years ago, many editorials have been acheived by the antique generation of MFD, unperfect and difficult to focus, and did you notice that suddenly the industry stopped to work because of the lack of accurate focus?
Ok, now most of these guys shoot Canon or Nikon, because of the many reasons that have been expressed here extensively. But anyway, there is a learning curve that I'm not sure everybody wants now to deal with.
The problem with all those systems, like face detection etc...is that it just kills the creativity and we end seeing the same pics.
-Everything will be in focus
-Every pic will have a huge DR
-Every image will have a perfect color balance
-and all those pics will be dead boring.
IMO.