I agree with you. Theres a lot of variables in the IQ of a display besides PPI, but if all the other variables (contrast, angle etc etc) are equal the more PPI the better.
You're not kidding. Especially when as photographers our requirements are often exactly opposite of the consumer. Consumers want bright, super saturated, contrasty displays.
We want (generally) color accurate, color stable monitors with highly controlled contrast and brightness. We also care about things like evenness of illumination, viewing angle, calibration precision/accuracy, and how well tonal transitions are done (always a big problem for consumer monitors and even monitors marketed as being for photography) and correct shadow/highlight detail rendering.
That said I would KILL for a display with good photographic properties which also had 300+ ppi. I could not believe the spec when I saw it introduced; I assume someone made a typo. I thought I was pretty on top of technological trends and what was forthcoming, but 300+ ppi was not on my radar for 2010. It tells me that in a few years we can expect high-end photo monitors to also have 300+ ppi and that will be good news for everyone.
Plus not every photographic application demands monitors with stellar photographic specs. I bought an iPad mostly to use it to show portfolio work. It is bright, contrasty, saturated and you can't calibrate it, and the tonal transitions are not fantastic, BUT when you're showing a client all they notice is the picture looks "pretty". I couldn't use it for retouching, judging image adjustments, or print-matching, but I can use it to wow potential clients. Of course now I wish my iPad was 300+ ppi! I've got PPI envy!
Also 300ppi would be killer for something like a 5DIII or the RED cameras for video since it's pretty hard to judge fine focus as it is on the LCD (without zooming and thereby losing the ability to view the full frame).
Doug Peterson
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