With some multishot backs and software not only was moiré eliminated when shooting a 4-shot, but due to the fact that de-bayering or interpolation was not needed, the colours came out better. I found that with the Jenoptik Precision backs the reds were obviously better in 4-shot mode than 1-shot mode. Look at the shadows of the strawberry below - the red is smoother and doesn't have black artifacts around the edges of fibres etc. If I ever had to shoot red subjects when I owned this back I would use 4-shot mode whenever I could. Although after heavy sharpening and printing in a magazine the difference was probably not noticeable.
I think the better interpolation of modern raw processing software for 1 shot backs has largely overcome this now, because I don't see these dirty reds with my Sinar eMotion back (a one shot back) using eXposure for the processing.
Ben
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