Greetings,
My work deals with sensitive and often
marginalized indigenous communities living in Southeast Asian
forests. I need some help dealing with some critique to my
work. There are some additional things I can do to be fully
covered, but I'd like to here what you all have to say.
Please note, as you read, I donate thousands of dollars per
year in time and effort to causes of forest peoples. I also
sell my work in the US and plan to return to the art show
circuit for a few months this coming summer.
Essentially, the situation is that I have been accused of not
having "free prior informed consent" of photographing
indigenous people in one of the communities where I've
worked. The situation is that there is another NGO
(non-governmental organization) that tends to be very
polarizing; they may not like that I'm infringing on their
"territory." I worked with this organization briefly to
conduct community photography workshops and prepare some
community images for the World Conservation Congress in 2009.
Local people presented community images and the images I
made; I did not have funding for the conference. Funding
came for my own work on this project came from a foundation
that supports work like mine. I don't want the funder to here
about this but I believe they have already been informed.
I was paid a small stipend for my work and sell a couple of
the images on the website that highlight some of the issues.
The contract did not specify that I could not sell images.
Sales paid for all kinds of stuff that I would not have been
able to fund, such as a documentar NGO I'm starting
and for my work in the community. I have been threatened
with a police report. These threats don't really mean
anything but my reputation could suffer and I may not be able
to cope with some of the harassment given other challenges of
working in the region.
I'm essentially self-funded unembedded conservation
photographer, so I take these issues seriously. I pay guides,
assistants and workshop facilitators very well and, in this
case, and others, they are all "local." This is one of the
things that separates my photography and writing and research
from others. It's what makes the entire initiative a "we"
instead of an "I."
For some of the discussion, you can see this blog:
http://eskapisminda.blogspot.com/2009/10/n...ackson-lesly-leon-lee-and-forest.html
For some of the more positive press, see
http://shimworld.wordpress.com/2009/11/05/...t-voices-by-noah-jackson/
In the very negative email I received, I was also accused of
"repeated misconduct and blatant disregard for the rights of
indigenous peoples as stated under the UN Declaration on the
Rights of Indigenous Peoples."
Up until recently, I've had the necessary permits for
photography and work. I also know that other photographers I
know -- even at the National Geographic level -- do not use
rights releases or go to the trouble of getting permits or
having subjects sign rights releases.
This is someone who doesn't like me; this is also about
selling a couple of images to gain support. I need help and
have sent this email to others in my close creative network
and will shortly send this out to Malaysian contacts. Until
I get significant grant funding, I also have to continue with
selling prints as one of the funding streams to fund my work.
Much of my work is beyond just making images-- it's about
trying to create action and projects. This is very hard; more
days than not its a real fight. Many days, all the work is
exhausting me. I need help. I am working on a community
benefit statement; some of which has actually been shared
with people whom I work.
Here are the solutions I am working on to address future
problems like this:
1. Community benefits and collaboration statement.
2. Detailed information about community benefits available
under my creative commons copyright.
3. Detailed financial records of photography projects,
expenses and proceeds to be made available on the web.
4. I am thinking about finally joining NAPP. I am also
thinking about hiring a local lawyer.
5. I am working on new contracts with everyone who I work
with -- especially those who fund some of my work. This
contract will include my community benefit statement.
One final note: the images in question are the majority of the people images from this gallery:
http://hopeinlight.com/Trees-Landscapes-People/index.htmlNote that there are some very sensitive issues that represent community knowledge that are not on the site.... But, after thinking about this, perhaps those images also should be. The images are otherwise not online and this is the kind of documentary work that is so important to get out to the world.
I'm looking forward to hearing your thoughts; I welcome private emails as well.
In photographic solidarity,
Noah