Seems like the well capacity is not all that great? The read noise is about 1.5 e-, but the DR is 16000:1, so it would seem the well capacity is only about 10-11K electrons for a 6.5µ pixel. The 6.4µ pixels in the 20D have a well capacity of over 50K electrons. I'm wondering how to square this with their claim of 60% QE.
Anyway, very good DR but it would seem geared toward low light/high sensitivity applications.
Firstly, the spec is >16,000:1 at 30fps, and at that frame rate, the read noise is given as <2e-: if we take these as 16,000 and 2e- respectively, the maximum signal would be 32,000e- wouldn't it? Not great, but not terrible. A few years ago, Kodak FF CCD's with 6.8 micron cell size has saturation signal 40,000e-, but more recently that is up to 60,000e- due in part to using deeper wells. It does not surprise me that the SCMOS makers are a bit behind the MOS sensor juggernauts (Sony, Canon, Panasonic) in some details.
Secondly, the sensor has microlenses and no CFA (it is monochrome) so 60% QE is good but not stunning: for example the Kodak KAF-16803 is a rather old monochrome CCD with microlenses, and is also 60% QE at 550nm.
P.S. It seems likely that the extreme DR here is far more relevant to scientific detection situations that "normal" or "artistic" photography. In technical photography, to which this sensor is targeted, it can be very useful to detecting even a few photons producing only a a couple of electrons and thus a local S/N ratio near 1:1. For normal photography, such deep shadow details with such low S/N will be either too dark to matter or horribly noisy to look at. My rule of thumb, suggested by a Kodak document, is that you usually want at least a 10:1 local S/N ratio, requiring at least 100 photons counted and at least 10e- of shot noise. If so, getting dark noise below about 5e- is not of much relevance to normal photography.
The same reasoning is probably why the Electron Multiplying CCD's mentioned in that document are relevant to some technical photography, but have generated no interest for mainstream digital photography: they reduce dark noise at the cost of making shot noise worse; probably a net loss for normal photography.