It's important to realize that RGB/CMYK to 12 color transformations are highly proprietary intellectual property that the printer handles on the printer itself. This is great for the end user and really simplifies things. When using the driver, we can make RGB profiles that are used for the color space transformation and then the printer handles the RGB to 12 color transformation on the printer itself. Most RIPs color manage these printers in a CMYK color space, so we make CMYK profiles and again the printer manages the CMYK to 12 color transformation. In some cases Epson works with the RIP maniufactuer so the RIP can handle this but that can add a lot of RIPing time. In either case, the RGB or CMYK profile is only used for a color space transformation and we are still taking advantage of all the inks.
The Pro version of ColorBurst does let you set individual ink limits and linearize each and every ink channel, as well as linearize the "composite channel" which is the combination of all of them together.
It is confusing, but the bottom line is that making a CMYK profile in ColorBurst is the right thing to do and you are still taking advantage of all the inks!
Thanks for this. It is reassuring to know that i am not the only one who thinks this is a complex issue.
If i understand you correctly, no matter what files we send to the 9900, RGB, CMYK or CMYKOG, colourburst will only use the 'output profile' (as selected in the print environment) for conversion / translation (by the 9900) into another colourspace (which we do not have access to), that determines exactly how the inks are put down on the paper. Is that correct?
If that is the case(?), i am still left wondering why we are not expected to linearise the O&G channels... surely they are just as likely to drift as CMY&K?
Either way, i guess that sending files that have been colour managed into the print environments 'output profile' is the best way to exercise control over colour and tone, especially for soft-proofing and control over out of gamut colours.
Honing in on linearisation of CB and the 9900... another question: Epsons linearisation process is accessible via epsons software, and we also have Colorbusts CMYK linearisation via the rip. I had never thought about this before... but should both be done, or are they literally doing the same thing?
One other thing i would be very interested in hearing more about, is your reference to the CB Pro version (windows 9.2). I am using that as of yesterday, but for the life of me, i can not figure out how to treat the 9900 as anything other than a CMYK device. I used to limit and linearise each channel for the 9800. But for the 9900... i can not see how. Again, very interested if there is something i am missing.
Thanks for the information, and hope i am understanding correctly,
Scott