I'm very seriously considering going from the Hasselblad H3DII-39MP to the Nikon D3x.
I'm asking this question in the MF section as I suspect those who have been using MFDB's are more prone to demand top image quality from any format they shoot.
Reasons:
1. Cost - I'm just not getting enough time to be out shooting to deal with the dollar depreciation cost of the Hasselblad system
2. Size/weight advantage for Nikon - at 62 years old on a long day hike, ANY weight reduction starts to be important!
3. I've realized that I'm not going to generate enough sales to turn this obsession into a profitable business - I just am too busy with other areas of my life and would prefer to have my free time spent shooting rather than marketing and promoting my work. Just want to do it for the love of it!
4. Never print more than 16x20, other than the occasional pano image and then it's only 16" on one axis.
Now, with the advent of the D3x seems like I've got decent glass available to me (I tried the Canon 1DSMKII a couple of years back and was totally un-impressed with their lenses.)
With the Hasselblad, I shoot primarily with the 28mm lens, occasional the 100 and rarely the 150.
Topic is landscapes, abstracts and the occasional portrait. My web site is http://www.shadowsdancing.com - click on Recent Works to see what I'm currently doing.
Looking at the Nikon line of lenses, dang, there are many flavors and I'm having a hard time figuring out what lenses are of the very best quality and can resolve the resolution and color depth of the D3x sensor. I'm also very interested in the Perspective Correction lenses as I really miss my 4x5 with it's tilt, etc.
Thus, I'm asking for your guidance and suggestions. Cost of the lens is not a factor, strictly quality of image produced by it.
Jack
As a long Nikon user, the following lenses are what you should consider for absolute top quality optics:
Wide End:
Nikon 14-24mm f/2.8 (rivals the old Zeiss 21 in terms of corner to corner sharpness, but no filters. Wider than just about anything though, and incredibly sharp through its entire range at f/4)
Zeiss 21mm (Just rereleased in F mount, accepts filters, about as wide as your 28mm)
Nikon 17-35mm f/2.8 (accepts filters, not quite as sharp as the 14-24)
Nikon PC-E 24mm (Sharp to the corners, Tilt Shift, takes filters)
Normal:
Nikon 50mm f/1.4 (if you like autofocus)
Nikon 58mm f/1.2 (If you don't need it)
Nikon 60mm f/2.8 Macro (Sharper then either, but slower)
Telephoto to Long
Nikon 85mm f/1.4 (quite sharp, great bokeh)
Nikon PC-E 85mm f/2.8 (Super sharp, tilt shift, 1:2 without tubes)
Nikon 105mm f/2.8 VR (Tack sharp at mid-macro range, reasonable performer at distance, great bokeh)
Nikon 200mm f/2 VR (Biting sharp, blazingly fast AF, incredible bokeh, huge price, heavy as heck)
There is a nikon 200mm macro, but it is quite long in the tooth and supposedly up for replacement.
I know this sounds like a ton of lenses, but I have played with all of them at one time or another and if it were me, I would go with:
14-24 and 24 pc-e at the wide end, 58mm f/1.2, 105 macro.
If manual focus was out of the question, then 14-24, 17-35, 60mm Macro, 105mm macro.
That would cover almost everything I do. I personally need a longer lens for people work, but it sounded like you don't.