May have to rethink. LOL
Guy,
I'm trying to see the positive spin about what you wrote because I assume your giving credit where credit is due.
The Capture Integration dealer did a good job and I've used them for purchases . . . they work hard and give every effort to get a quick resolve.
No knock on them, or Phase but so does Yair with Leaf in Europe (actually everywhere) , same with Rick at LOA, I hear Hasselblad has good service and PPR in Atlanta has always been stand up and this is just my direct experience, I'm sure there are many others.
Now trying to keep this positive, I think it would be "nice" if your heading for this post didn't come off as an informercial.
The bad, the good and the awesome= Real Value. Hmmm. OK, most of us kind of know that, but you also have to keep in mind it doesn't make anybody feel warm and fuzzy to think that your virtually new Phamamamaiya crapped out at 16,000 frames and you can find an upside to this.
Anything can break, but 16,000 frames is pretty much just the warm up period for most cameras and I am positive 100,000 frames would probably just get a Contax, a Canon or a $900 Nikon to the point that it finally losses it's new camera smell. (if there were any new Contax' left.)
I'm sure you felt the same way about your Phase/Mamiya, , because you shot without a backup, which (once again positive spin) leads me to believe you have a lot of faith in your camera. A lot of faith.
Still, your post illustrates the bottom line of medium format ownership.
Few photographers I know have an identical medium format back and camera as a backup.
Whether you dealer is across the country of across midtown, rarely does the loaner system work for backups once production begins. If medium format has a downside it's the fact that you just can't walk around the corner, or hop in a cab and easily grab a spare. Maybe in an H mount, but anything past that will probably take a wait or a special order. I've always felt that medium format pricing and proprietary camera mounts force most photographers into owning a DSLR for backup, even photographers that don't need high iso and fast autofocus lenses.
On the flip side of your story Canon replaced a sensor in one of my 1ds3's in 6 hours in Hong Kong, and you don't have to be Demarchillier to sign up with CPS or NPS and get loaners for specialty mega expensive lenses, so there is a lot of good camera service out in the world.
It's interesting that the news today is all about accountability. We see large, actually huge companies on the brink of disaster and everybody blames it on somebody else, but the at the end of the day the companies large and small that will make it through are the ones that offer amazing service and the very best products. at the very best price. Nothing can be out of place anymore.
Good dealer or manufacturer service is important and obviously your dealer pushed hard for you and that is commendable, though that is also their job. Maybe after hours is a little beyond the call, but I know few photographers (i.e. medium format customers, that don't work way past 9-5 so in this business after hours is the standard).
Obviously you like these guys and have a published relationship with them but honestly there is no extra points for doing it right. We are all suppose to do it right.