Thanks to you both!
Hmm - this does make my decision really hard.
And it's more that the Aptus 65 price is fantastic, rather than the P30 being a bad one.
I'm glad I found out about this before buying, even if I do end up getting the A65 it's better that I know about it now.
It's not just the money, it's the time. Even if it requires taking a trip to someone that will let you test an Aptus, Phase, Hasselblad, against a D3x and Canon, you'll never know if it really works for you and if it doesn't you'll spend endless hours trying to find a fix, calling dealers, talking to tech people only to eventually start again at ground zero.
If you work with outside retouchers, make sure you can deliver a raw file that they know how to process without conversion or special software. 99% of all retouchers (regardless of the file format) will process in photoshop. Even if you send a tiff that is exactly the color and tone you want, every retoucher needs a raw file to reprocess and change areas and range of the image, especially in the type of work you do.
If you do all the retouching yourself, then that's a different mindset.
You can spend way too much of your life messing with digital cameras and though all are quite alike, some work in better scenarios than others. Long exposures really depend on your lighting, your style of shooting, if you underexpose or overexpose.
Your work is quite nice and honestly I doubt seriously if you shoot with a 5d2 or a medium format back if anyone that hires you will notice or care, but I caution you not to get caught up in the black hole of digital learning curves.
I've done it, heck everyone I know has secretly thought that the next camera will be better, or offer something they can't live without and usually that's just not the case. The only camera that you want (or multiple cameras) is the one that let's you get on with your art (and your life) without drama or problems.
In today's market I'm sure there are a lot of dealers that will let you really test a system, rather than just shoot a few frames in the showroom.
Saving $5,000 today might sound like a good idea and any camera might be perfect for you, but if it's not that $5,000 will be just a drop in the bucket of the time wasted trying to make it work for your style.