From Bill Caulfeild-Browne's "second opinion" of the Sony:
"I use Capture One for my Phase One files and in loading some of them into C1 last week, I unintentionally included my high ISO Sony files.
Well - they looked like shots from a different camera! All of a sudden ISO 800 looked pretty good, ISO 1600 was clearly usable and ISO 3200 was acceptable in a pinch. (6400 remains in no-man’s-land.)"
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Interesting!!
I understand that use of different converters can produce marginally different results in respect of noise. Reading threads about the A900 on this forum, I see that Aperture and Iridient's Raw Developer get good ratings with the A900. Unfortunately I don't have a Mac system. Changing camera systems involves some additional expense in lens purchases. I wouldn't be too happy if I also felt compelled to buy a new computer in order to get the lowest noise from my A900 conversions.
DXOMark claim to produce test results which are independent of the characteristics of individual converters. Their results indicate that the 5D2 has at least a stop more of both S/N and DR than the A900 at high ISOs. The Nikon D700 is better by an even wider margin, but one might expect that because its pixels are larger.
The high ISO performance of the A900 is clearly not bad. It may very well be good enough to produce usable results at ISO 6400, for certain purposes and at a certain, fairly small, print size. However, on the high-ISO noise front, it's clearly not there amongst the lowest noise cameras currently available, such as the 1Ds3, 5D2, D700, D3 and D3X.