Paul, does the latest firmware resolve the mirror slap issues with the H1 as well, or just the H2?
Hi Lisa
I have three H1/H2 bodies and use them professionally in my capture business. I also work daily with any system that my clients ask for, including the Phase One 645 III.
The Hasselblad H1/H2 mirror shake is dependent on several factors.
The firmware delay will not prevent the shake, only delay the exposure, which will reflect in less shake at the moment the picture is taken.
A factor which has as much influence on the shake, is which lens you use: the larger lens, the more shake. When you use the 100mm, 80mm, 50mm, which are all lighter and smaller lenses, the shake will be "more" controllable. The shake is only an issue when you handhold the camera.
My opinion about the H1/H2 camera is that it's the best 645 system out there, and has been ever since it was released.
Features:
Fast and exact autofocus, solidly constructed, synchs up to 1/800th sec., ultra sharp lenses. The 50-110mm zoom was tested by Michael Reichmann a while ago together with the Apo Sironar HM 100mm, see link:
http://www.luminous-landscape.com/essays/back-testing.shtml I have personally experienced the same differences of sharpness on other occasions with other HR lenses.
All in all, the system just works.
What I don't like is the "new" corporate Hasselblad attitude towards its costumers (me). Locking me out with their lenses that are incompatible with a system that I was sold as "Future Proof and Upgradeable". That's just plain lying, as well as bad business ethics, and I'm embarrassed to admit that they share the same country of origin as me.
What to do in the future is hard to say, since nothing will stop Mamiya from doing the same, they have the right to do so, and if they deem its necessary for the survival of the brand, they are going to do so.
The AFi and Hy6 is already locked.
I have 2 more things I would like to mention. When buying an H3D-II, you get one body and one back. What about a back-up? Yes, you can buy an extra body directly from Hasselblad, at a mere $7000/body !
Also, though I'm happy to hear that Phocus now has an auto file developer function which will convert 3F files to DNG on the go, there's still a delay and a toll on the computer's processor. What if you are shooting to a laptop on-location and the client wants to walk away with the RAW files at the end of the day. Will you hand over 3F files which can't open in Photoshop?
All the best,
Esben