Hi, I'am looking for a camera system for product photography in studio. at the moment I can not afford a digital back, so I have to build the system around my nikon D3 for the moment.
I tried the cambo X-2 in combination with a my nikon D3 and a schneider 80mm lens. - the image quality of the schneider lens is outstanding, but the handling, precision and quality of the cambo X-2 is not what I have expected and is not that great. very limited in movements (tilt/shift) and handling.
Now I'am thinking about a Sinar P camera in combination with my nikon D3 mounted with a just-together adapter (www.just-together.de). then later I can always upgrade to a digital back.
- what do you guys think about such a combination (Sinar P with DSLR)?
- are there any limitations, drawbacks when used with a DSLR (movements, crop factor ...)?
- where is the differnce between sinar p2, sinar p3, sinar f3, sinar x
- would the sinar P be a good investment to build a good product photography camera system?
thanks, and sorry for my "english"
Your big drawback is the crop factor lack of wide but for products that should not be a problem
Also you will not be able to get some lenses to focus to infinity because of the mirror box fouling the rear element of the lens - you would need to research it but again only really applicable to wide lenses
I think using the D3 on a P would be great because of the fantastic live view on the the camera - better than any digiback by miles
If you got a sliding back and were able to take three shots together you would have DB quality for still life images without the cost of buying a DB
Of course there would be extra workflow stitching three pics together
Stitching works great on a view camera because the stationary lens meens there are no stitching errors unlike spinning a camera on a tripod and trying to stitch
A P2 is 54 size, A P3 is 645 size with finer gearing for more accurate focus and movements
I think the focus is fine with a P2 - although shooting on a digiback with slow shit liveview* (Sinar 54LV) is a right pain
I think an X is half of a P2 and Half of an F2
P for Proper F for flimsy - son dont bother with that
As you can get a P2 for nearly nothing now that is the way to go in my opinion - and it has more room for big movements
I dont know if you get colour shifts with big movements you would have to test
or you could buy an 85PC lens
(by the way I own a P2 and a sinar 54LV and a D3 ! )
The product you are investigating does not seem to have a sliding back - I think you really need to have a sliging back so you can make two or three shots to get the most from a sinar
SMM
*Before TH jumps to the defence of Sinar Live view it might work fine with fancy electronic shutters but the workflow is terrible with copal shutters which have to be manually stopped up and down and then 'cocked'