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Author Topic: Recent Professional Works  (Read 1238967 times)

bcooter

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Re: Recent Professional Works
« Reply #3640 on: July 26, 2012, 06:24:45 AM »

James, That's pretty hot too, really well done.  Each shot of the vintage look I've seen from you gets better, superb casting, styling and set dressing.  Not to mention the light and color treatment.  Is this a job or personal project?  Jim

Thanks James.

This is an editorial we started a few months ago, but got caught up in other commercial projects, that were large and consuming.  The publication was nice enough to let us push it back for delivery.
It will be accompanied with a video.

This is a location in LA and lit with broncolor HMI's bounced in the room as a key, and small tungsten spots for the exterior doors.

BC
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SeanBK

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Re: Recent Professional Works
« Reply #3641 on: July 27, 2012, 12:17:24 AM »

James,
 As usual terrific shoot. I also like your new upcoming Donna Karan 2012 Fall Ad campaign. R u allowed to post some rejects from that shoot?  8)
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bcooter

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Re: Recent Professional Works
« Reply #3642 on: July 27, 2012, 04:35:03 AM »


Contax 645

BC

The DK as mentioned did not come from our studio.
« Last Edit: July 27, 2012, 02:47:15 PM by bcooter »
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amsp

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Re: Recent Professional Works
« Reply #3643 on: July 27, 2012, 04:39:25 AM »

James,
 As usual terrific shoot. I also like your new upcoming Donna Karan 2012 Fall Ad campaign. R u allowed to post some rejects from that shoot?  8)

lol, I hope you're joking and don't actually think this guy is the famous Australian photographer "Russell James".
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fredjeang

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Re: Recent Professional Works
« Reply #3644 on: July 27, 2012, 06:26:21 AM »

lol, I hope you're joking and don't actually think this guy is the famous Australian photographer "Russell James".
;D
No he's not. The australian Russell is a different person.

They both have blond-white hair, but One
Is cutted punky while the other hippy-surfer.

Both are talented.
« Last Edit: July 27, 2012, 06:33:06 AM by fredjeang »
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SeanBK

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Re: Recent Professional Works
« Reply #3645 on: July 27, 2012, 08:46:07 AM »

Now that I read the credit again, it does say Russell James, re; to Donna Karan 2012 Fall Adv campaign.
   My bad & it was inadvertent mistake...
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MichaelEzra

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Re: Recent Professional Works
« Reply #3646 on: July 31, 2012, 12:07:42 AM »

And here is that missing model, she was levitating:)

« Last Edit: July 31, 2012, 12:10:42 AM by MichaelEzra »
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wolfnowl

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Re: Recent Professional Works
« Reply #3647 on: August 01, 2012, 01:40:56 AM »

A little magic thrown in too?  Very nice!

Mike.
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If your mind is attuned to beauty, you find beauty in everything.
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Hulyss

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Re: Recent Professional Works
« Reply #3648 on: August 08, 2012, 05:20:15 AM »

One of my latest shoot. Clothes are designed by my wife and me, and she sew it as well. She's also the model :)

Rage

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Kind Regards -  Hulyss Bowman | hulyssbowman.com |

MrSmith

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Re: Recent Professional Works
« Reply #3649 on: August 08, 2012, 07:19:49 AM »

another lovely image Michael.
looks great cropped through the waist and rotated 90 too  :)
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ChristopherBarrett

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Re: Recent Professional Works
« Reply #3650 on: August 08, 2012, 10:06:29 PM »

Quick grab yesterday with the 5d2.  One thing I love about the Canon is how fast I can move around a building.  I shot the overall primary dusk view with the Arca/P65+ and then ran around grabbing other stuff with the DSLR as the light faded into nothingness.
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MJSPhoto

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Re: Recent Professional Works
« Reply #3651 on: August 09, 2012, 03:49:29 AM »

Been lurking, might as well throw my hat into the ring...





.

Rob C

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Re: Recent Professional Works
« Reply #3652 on: August 09, 2012, 04:05:31 AM »

Nice images, MJS; wish my Fiesta's paint looked even 30% as nice. It did for about a week or so then vanished with the first delicate wash...

Often wondered how it would feel to own beautiful cars, but with my psychology it might simply raise the stress levels to implosion. I try to park in fields and disused aerodromes already. With a Fiesta. And there are no disused aerodromes around here.

;-(

Rob C

Dick Roadnight

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Re: Recent Professional Works
« Reply #3653 on: August 09, 2012, 06:11:15 AM »

Often wondered how it would feel to own beautiful cars, but with my psychology it might simply raise the stress levels to implosion. I try to park in fields and disused aerodromes already. With a Fiesta. And there are no disused aerodromes around here.

;-(

Rob C
Hi, Rob.

If you only want to own a car for it's looks, then buy a model... or go to a car show and take some photographs.

I have two nice looking cars ( both over 12 years old) but mostly I enjoy driving them... one for roadholding and one for comfort, both stress-free.
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Hasselblad H4, Sinar P3 monorail view camera, Schneider Apo-digitar lenses

evgeny

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Re: Recent Professional Works
« Reply #3654 on: August 09, 2012, 07:46:17 AM »

This is stunning work!


Contax 645 pee thirty plus
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TMARK

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Re: Recent Professional Works
« Reply #3655 on: August 09, 2012, 10:37:44 AM »

Good stuff, all.

MJS:  The new MacLaren!  Great shots.

Mr. Barrett:  I'm glad to see a bayou boy make good.  Great shot.  I really like what you've een doing with motion as well.

Master Cooter:  The frame with the bubbles is truly outstanding.

Master Cooter's other great shot, with the lovely posed with the phonograph, is geat.  For the newbs, please observe that the magic in that frame is NOT in the megapix, its lighting, set dressing, and art direction from Master Cooter's studio.  Its the attention to detail, the palette, the styling, the light, the posing.  This is what you aspiring shooters need to spend time on, not backs and cameras.  Its better to have a cheapish camera and good art direction/styling/linghting/set dressing/directorial skills than an IQ180/H4D-60/Aptus/Credo blah blah with shitty lighting and shitty art direction in front of it.
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fredjeang

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Re: Recent Professional Works
« Reply #3656 on: August 09, 2012, 12:27:04 PM »

Tmark: What a Bayou boy means?


For the newbs, please observe that the magic in that frame is NOT in the megapix, its lighting, set dressing, and art direction from Master Cooter's studio.  Its the attention to detail, the palette, the styling, the light, the posing.  This is what you aspiring shooters need to spend time on, not backs and cameras.  Its better to have a cheapish camera and good art direction/styling/linghting/set dressing/directorial skills than an IQ180/H4D-60/Aptus/Credo blah blah with shitty lighting and shitty art direction in front of it.

Thanks for this quote! In fact the camera is what matters less in all the pipeline, but...what often worries me is that it seems that it's not only a great quote to catch for the newbees...

Have you seen the latest film of Recuenco with iphones? it tells it all.

Yeah, the Coot stuff with the bubbles is truly wonderfull.
« Last Edit: August 09, 2012, 12:36:17 PM by fredjeang »
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ChristopherBarrett

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Re: Recent Professional Works
« Reply #3657 on: August 09, 2012, 11:24:48 PM »

Mr. Barrett:  I'm glad to see a bayou boy make good.  Great shot.  I really like what you've een doing with motion as well.

Thanks, Much!  We actually just heard tonight that our new short has been selected as a finalist in the Louisiana Film Prize Competition, and will be screening at the festival this October.

*Psyched*
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Kirk Gittings

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Re: Recent Professional Works
« Reply #3658 on: August 09, 2012, 11:42:12 PM »

sweet-congratulations!
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Thanks,
Kirk

Kirk Gittings
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Rob C

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Re: Recent Professional Works
« Reply #3659 on: August 10, 2012, 04:03:58 AM »

Tmark: What a Bayou boy means?


Thanks for this quote! In fact the camera is what matters less in all the pipeline, but...what often worries me is that it seems that it's not only a great quote to catch for the newbees...

Have you seen the latest film of Recuenco with iphones? it tells it all.

Yeah, the Coot stuff with the bubbles is truly wonderfull.


Fred, can you supply a link to the Recuenco film?

Regarding TMARK's statement, he's on the money. There's a level of quality which can hold you back, but there's also the level from which you need go no further. In effect, you just can't buy class, and class is what always comes through in Cooter's pictures. I think it's a measure of his outlook and operation. You only need to read his posts to understand that cameras are but a tiny part of the whole process.

In life, it's we who are often the main block to our own success, not our bank balances.

Rob C
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