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Author Topic: Recent Professional Works  (Read 1277631 times)

ChristopherBarrett

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Re: Recent Professional Works
« Reply #3440 on: April 08, 2012, 01:58:06 PM »

few from a nice interiors project of ours...











CB
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Kirk Gittings

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Re: Recent Professional Works
« Reply #3441 on: April 08, 2012, 02:32:32 PM »

Love them all. Are you interested in a student visit this year?
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Kirk

Kirk Gittings
Architecture and Landscape Photography
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LIGHT+SPACE+STRUCTURE (blog)

gazwas

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Re: Recent Professional Works
« Reply #3442 on: April 08, 2012, 03:35:01 PM »

Great work Chris!

Do you light all your interiors, all natural or some subtle HDR/exposure stacking technique?
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trying to think of something meaningful........ Err?

ChristopherBarrett

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Re: Recent Professional Works
« Reply #3443 on: April 08, 2012, 07:04:07 PM »

The first had minimal lighting, the last was all available and the rest were pretty lit.  I do utilize HDR blending to control hilights.  I favor broad strokes and travel with a couple 12x12 silks.  Recently replaced half my strobe with HMI's.  Those things have an awesome punch.

Kirk, what are the dates of your AIC class?  I'm booked solid until Mid-July  :)

CB
« Last Edit: April 08, 2012, 07:16:24 PM by CBarrett »
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Kirk Gittings

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Re: Recent Professional Works
« Reply #3444 on: April 08, 2012, 07:24:05 PM »

I'm glad you are busy. I've been a bit slow. The class runs through the end of July. We'd love to have you!
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Thanks,
Kirk

Kirk Gittings
Architecture and Landscape Photography
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LIGHT+SPACE+STRUCTURE (blog)

quismond

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Re: Recent Professional Works
« Reply #3445 on: April 08, 2012, 07:52:25 PM »

Really nice photos, Chris. I love the ambiance in the last one, although I find the couple on the right side a bit posed:)
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ChristopherBarrett

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Re: Recent Professional Works
« Reply #3446 on: April 08, 2012, 08:01:37 PM »

Really nice photos, Chris. I love the ambiance in the last one, although I find the couple on the right side a bit posed:)

I have this theory that a lot of shooters go into architectural photography because they lack the people skills to do fashion or portraiture.  Now all the architects want people in their shots!

Heh... I'm getting better, though.
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quismond

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Re: Recent Professional Works
« Reply #3447 on: April 08, 2012, 08:19:28 PM »

I have this theory that a lot of shooters go into architectural photography because they lack the people skills to do fashion or portraiture.  Now all the architects want people in their shots!

Heh... I'm getting better, though.

You are great, Mr. Barrett.  ;)
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epines

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Re: Recent Professional Works
« Reply #3448 on: April 09, 2012, 06:21:22 PM »

Hey, everyone. My latest test.

H3DII-39 with 50mm. And nephew Atticus.

(Nice work, Chris.)

ethan pines

ChristopherBarrett

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Re: Recent Professional Works
« Reply #3449 on: April 09, 2012, 11:39:24 PM »

another nice project I'm just finishing up retouching.  This was actually a fairly low budget job for the architects.  Mostly re-used furniture, new carpet and paint.  I thought they did a pretty nice job...



CB
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HarperPhotos

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Re: Recent Professional Works
« Reply #3450 on: April 10, 2012, 03:47:53 AM »

Hello,

Shot last week for a manufacturing jeweller client.

Cheers

Simon
« Last Edit: April 10, 2012, 04:54:04 AM by HarperPhotos »
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Simon Harper
Harper Photographics Ltd
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Auckland, New Zealand

Scott Hargis

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Re: Recent Professional Works
« Reply #3451 on: April 10, 2012, 09:08:23 PM »

Here's one from a recent project:

Slobodan Blagojevic

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Re: Recent Professional Works
« Reply #3452 on: April 21, 2012, 11:12:08 AM »

Are those really books? Or just wallpaper?

kikashi

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Re: Recent Professional Works
« Reply #3453 on: April 21, 2012, 02:32:11 PM »

Wallpaper
How terribly sad. I suppose it's obvious from the corner on the left, but until I read it, I was thinking I might enjoy staying there. I'm really put off now.

Ashley, the first gives me a slightly uncomfortable feeling of sliding downwards to the right. I'm not sure why. Perhaps it's just me.

Jeremy
« Last Edit: April 21, 2012, 02:33:57 PM by kikashi »
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Rob C

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Re: Recent Professional Works
« Reply #3454 on: April 21, 2012, 03:56:54 PM »

How terribly sad. I suppose it's obvious from the corner on the left, but until I read it, I was thinking I might enjoy staying there. I'm really put off now.

Ashley, the first gives me a slightly uncomfortable feeling of sliding downwards to the right. I'm not sure why. Perhaps it's just me.

Jeremy



I used to suffer from that too; my wife always took the other side and we came to an amicable resolution. However, with solitude comes the realisation that the bed's too big now.

;.. (

Note clever use of teardrop.

Rob C

favalim

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Re: Recent Professional Works
« Reply #3455 on: April 22, 2012, 03:28:20 PM »

Ashley, how did you fill the light on the first shot? There is a very soft light I'm trying to obtain in my studio (furniture shits) but I' stll haven't find the right "tool". I'm using Lee filter 129 now but still not happy :(

Thanks
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ivan muller

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Re: Recent Professional Works
« Reply #3456 on: April 23, 2012, 08:15:17 AM »

The first had minimal lighting, the last was all available and the rest were pretty lit.  I do utilize HDR blending to control hilights.  I favor broad strokes and travel with a couple 12x12 silks.  Recently replaced half my strobe with HMI's.  Those things have an awesome punch.

Kirk, what are the dates of your AIC class?  I'm booked solid until Mid-July  :)

CB

hi Chris, I really enjoy your architecture photography! Do you mind explaining what you mean by  'I favor broad strokes and travel with a couple 12x12 silks' ? Please excuse my ignorance but I am a bit isolated here in the southern part of Africa!

Rob C

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Re: Recent Professional Works
« Reply #3457 on: April 23, 2012, 08:26:45 AM »

Yes, pleasing illumination, but as with so many of these sorts of pictures, it all comes down to soft porn. No bodies, but the sentiment remains: look at the bath shot, for example: who in hell would seriously consider having all that fabric in a place that's constantly suffering extreme humidity (I assume some of these people actually do bathe now and again)? And as for stand-alone baths, dear me, is splashing allowed?

Frankly, there are those who criticise fashionistas, fashion and cosmetics photography as a bit OTT, but they have nothing to be ashamed of when held up against the bella casa syndrome!

Hey, this is no criticism of the excellent photography; it's all about the aesthetics of the idea behind it all: that people live in a showcase/fishbowl, that style is everything and living comfortably somewhere, something quite else. Maybe therein the answer: they really live in the garage or the guest wing.

Rob C

favalim

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Re: Recent Professional Works
« Reply #3458 on: April 23, 2012, 08:50:05 AM »

Ok Rob, now let's talk about photography, what would you use to create that  wanderfull light?


Yes, pleasing illumination, but as with so many of these sorts of pictures, it all comes down to soft porn. No bodies, but the sentiment remains: look at the bath shot, for example: who in hell would seriously consider having all that fabric in a place that's constantly suffering extreme humidity (I assume some of these people actually do bathe now and again)? And as for stand-alone baths, dear me, is splashing allowed?

Frankly, there are those who criticise fashionistas, fashion and cosmetics photography as a bit OTT, but they have nothing to be ashamed of when held up against the bella casa syndrome!

Hey, this is no criticism of the excellent photography; it's all about the aesthetics of the idea behind it all: that people live in a showcase/fishbowl, that style is everything and living comfortably somewhere, something quite else. Maybe therein the answer: they really live in the garage or the guest wing.

Rob C





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julius0377

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Re: Recent Professional Works
« Reply #3459 on: April 23, 2012, 08:58:47 AM »

...let's talk about photography, what would you use to create that  wanderfull light?

To me it looks like mostly natural light and the existing lamps, carefully post processed. Maybe a hint of fill bounced either off wall/celing or a big white surface.
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