Thanks for the replies.
I use an old fashioned Masterpiece press with a 26" x 34" platen area. Basically I need three presses to dry mount 24 x 72's, starting with the middle and then going to each side. Before actually adhering with the Colormount drymount tissue, I have found that I MUST flatten and dry both art and foamcore backing with pre-presses, minus the tissue. This flattening is essential to avoid buckles in the art, whether canvas or paper, and most particularly with RC substrates. I have noticed that the pre-pressing tends to shrink canvas by a small amount, so I'm thinking that's a good thing. I sure WISH I had a nice vacuum heat press but it would take up 1/2 my workspace.
I use Colormount drymount tissue because it is "adheres when hot" versus say Fusion 4000 which is "adheres as it cools" presumably under some large, weighted platens. Although Fusion 4000 is the usual pick for canvas, it is procedurally easier to use Colormount when pressing in sections. The adhesion seems pretty good, if I grab a canvas edge and rip it up, for the most part the foamcore paper skin pulls up attached to the canvas.
Going to spray the canvases rather than laminate. In my somewhat dusty shop this gives me the opportunity to remove flubs after the fact. And I don't own a proper laminating machine.