The LT only offers small patch count profiling, which works for some well behaved papers on some well behaved printers, but it doesn't do much else in the printer profiling stakes.
See i1 LT review and other linked articles on the site to see just what you can do with the different i1 versions.
Ah yes, Argyll - you will need quite a lot of tinkering and colour management experience to go with this, not to mention more software to drive the printer (look to Gutenprint amongst others) This really is the find some land, grow your own, make your own cigarette papers and roll your own approach :-) Not practical for most, but I mentioned it to show there are alternatives in which you can swap a lot of work for spending money ;-) Once you have the i1 there are quite a few software packages that support it, but that sort of goes out of your budget zone...
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Keith,
Thank you for the link to your articles and reviews; very helpful. (I am beginning to get the idea.) It sounds like Argyll might keep me tinkering to the exclusion of shooting and printing; so that would not be good.
If I bought i1 LT mainly for the good spectro, is there some commercial profiling software at a cost point that, when combined with the cost of the i1 spectro, is less than the i1 Photo bundle and gives better results than the i1 Match software?
I ask this question for two reasons:
(1) To keep from spending as much as the i1 Photo bundle of ~ $1500 (if possible); and
(2) In your original review "Eye One Printer Profiling," you say:
"So, how good are the profiles I made? - good."
"Are they good enough for my own fine art prints? - not really."
I realize that the original review was from 2005 and that you later (March 2006?)updated it with a report of new features in i1 Match Vers. 3.6. (From the X-rite website it appears that the current version is 3.6.2; so no radical revisions since your 2006 report?) So, has some combination of the updated Match profiling software and/or newer Epson-family printers and drivers changed your assessment of the i1 spectro/Match combination, or would you continue to consider the combination insufficient for your own fine art prints?
I ask that because if I cannot buy a profiling solution that is adequate for the highest-quality fine art prints even if I spend $1500 then I probably need to rethink
the idea of doing my own profiling. I do not mind scanning the patches by hand using the straight edge (versus the automated I1Sis page scanner), but I cannot imagine paying $1500 for a profiling solution and going to all the associated trouble to obtain anything less than than profiles adequate to support the highest-quality fine art prints.
Sorry for all the primitive questions, but could you please help me to tweak my understanding of this?
Thanks again,
Bruce