Here is a fun one, I really like simple solutions for difficult scenarios for clients. Not necessarily my "best:, but many of my favorite images personally are about problem solving. They thought this couldn't be shot, which presented an access problem later on. This is a really tight meditation space in a hospital. This space was unfinished (lighting and fireplace). So first we did a vertical flat stitch with an old 24T/S. Then we added one light around the curve corner, a hot light (I wanted the warmth and color contrast-no outlet back there and no working lights-so removed the extension cord in post). Then stripped in the fire from another interior in post.
I get a kick out of the tough ones too! These are really tight spaces, a few as small as a phone booth. Makes lighting and camera placement (suction cup mount on the wall for one) really interesting to say the least. When possible I prefer high drama light.
Interior cabin of a 30 foot boat, this is about 12-15 feet in depth and 8-9 feet wide, Sigma 12-24 at 12. Mole 1k zips through the portholes, 2-650 moles from the front hatch to cast the long shadows, 6- pepper 200's bounced in a number of places and 2-1k moles into a silk over each hatch near the camera.
Head in a 42 foot boat, about 3 people long. Sigma 12-24 at 12, camera on a suction mount. 1-pepper 420 bounced to the left ceiling near camera.
Forward V-Berth in a 37 foot boat. Sigma 12-24 @ 16. 650 mole through the visable porthole, 1k mole zip through the non visable porthole on the right, 200 Pepper ceiling bounce at the camera.
Head in a 30 foot boat, smaller than a phone booth. Sigma 12-24 @ 12. 420 Pepper bounced int the ceiling corner on right, 200 Pepper into a card under the camera, 1k zip through the porthole.
